Tag Archives: Age of Darkness

End of an Age

Just a quick update post to say that I’ve just sent off the amended proof for Magebane, book 3 in the Age of Dread trilogy. So that’s the end of the second Age in that world and, for now at least, the end of the story of those characters.

I started writing Battlemage many years ago, and even though it doesn’t seem like all that long in terms of when the books came out – as Battlemage was published in 2015 – it was back in maybe 2009 or 2010 that I started writing it, so it’s almost been a decade for me. I didn’t send it off to agents until 2013. At that time I was just another hopeful aspiring writer and it was just another book (book 7 or 8?) that I had written and was sending out to literary agents. Six books and a novella later, here I am. So, what have I learned since then?

Here’s my top 5 things I’ve learned about traditional publishing. This is just my perspective so others may disagree with some of this.

1. Traditional publishing is slow

By its nature, the business is fairly slow because there are a lot of moving parts. A book goes through a lot of different stages in the publishing machine before it pops out the other end on bookshelves as a finished thing.

Self publishing is a lot faster, but it requires that you spend a lot more time and energy on aspects of the book beyond writing it. At this stage I’d prefer to let others handle the bulk of that work, be it editing, marketing, coordinating with bookshops and suppliers. I am still involved in some stages (editing etc) but there are many parts of the process I know nothing about and am not consulted because I don’t need to be, such as storage, shipping, pricing etc. My job is to write the book so that’s what I am focusing on.

2. Traditional publishing is a mystery

There’s a lot more information online these days compared with when I started, but from talking to other writers trying to get that first book published, there’s still a lot they don’t know. Some of it is also contradictory which is scary and people are afraid to do the wrong thing in case it messes up their chances. From my perspective, there are many aspects of the business that I still know nothing about and others that I am still learning about, such as lending rights and overseas sales. Did you know every author in the UK and Ireland gets a few sheckles every time you borrow their book from a public library? I know, right!

My advice is, if you’re not sure, ask an agent or author. We’re all fairly approachable and with social media it’s so easy to get an answer before you press SEND. I asked an agent a few questions via twitter to clarify something before I sent off Battlemage. So it’s worth double checking.

3. First impressions matter

Related to number 2, people still ignore clear instructions. If you are sending a submission to an agent and their name is John, don’t call them Johnny, or Jo-Jo, or mate, or pal, or something witty and hilarious. That’s going to turn them off immediately, and even if you’ve seen other people call them that on social media, you don’t have a relationship with that person. Don’t assume. Be professional.  Also if they say send 3 chapters, don’t send 5, because that’s where the story really gets going!!!

Also, and here’s a really big one that I’ve seen a lot, if an agent is a woman, don’t address the person in your email as Mr Smith. Time and again I see aspiring writers shoot themselves in the foot. Agents get thousands of submissions every year. They will drop yours and move on to the next one if you can’t follow instructions. Don’t give them an excuse. If, for example, they request 5,000 and your first 3 chapters are 5,500 words long, then yes, by all means contact them to double check that kind of thing. Take the tine to read the guidelines and tailor each submission to suit their requirements. Be professional, don’t try to be funny or their mate. The best thing you can do is send them an awesome book that really gets them excited.

4.Be the best version of you not the best copy of (Author X)

Don’t claim to be the next JK Rowling, Terry Pratchett etc, or even worse, claim to be better than them. Maybe, perhaps, there’s a very very VERY slim chance you will be more successful than one of those authors, however, don’t say it in your submission letter to anyone. Ever.

Here’s the truth. The market is crowded. A lot of books are published every year. It’s a tough business. I’m not saying that to scare you but to make you aware of reality. Publishing is super weird because it’s a business, so they need to make money, but it’s also built on imagination, the creative meanderings of authors. So you need to keep that balance in your mind. Bring the best version of you to the table. A unique voice, created from your own personal experiences and your imagination. In time your work might be compared to various authors, and that’s fine, but you shouldn’t be trying to emulate others because you think it’s a winning formula. It’s the same as when people try to chase a trend. “I read 20 sparkly vampire novels last year, so he’s my vampire novel which is 100 times better than all of the other ones which were awful!” You may laugh, but I’ve seen this kind of thing. No, really, it still happens. So, focus on being you, not someone else.

5.Getting published is only the beginning

As I said the market is crowded. Getting noticed is difficult and even before that first book has been published your agent and publisher will want you to start work on the next book. I’m now writing my 7th novel since being published and at the same time as doing that I was editing book 6. Depending how fast the books are being published there will usually be an overlap. If you want writing to be a career then you need to produce a body of work and that means you’ve got to keep writing more books. Writing is definitely a marathon, both to produce a finished novel and to build a career. So, with that being said, I’d better get back to it. Any questions, just ask.

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2019 Events

It’s almost Christmas but I’ve already been busy planning a number events for 2019. The first I will be taking part in is a new one for me, the Wolverhampton Literature Festival.

It runs from Friday 1st to Sunday 3rd February at a number of  different venues around the city. The full PDF programme of events will be posted shortly but in the meantime you can peruse the website to find a brief summary. This is the first year they’ve done any SFF talks at the event so I was pleased to be able to bring it to the festival.

On Saturday 2nd February from 1.15-2.15pm Anna Stephen  and Gemma Todd will be hosting a panel on How to Find a Literary Agent as they share their stories and experiences with attendees. More info on the time, location and how to get tickets is available here. Tickets go on sale Monday 10th December.

On Sunday 3rd February at 4.30-5.30pm is a panel called Writing the Fantastic. I will be hosting this event with Anna and Gemma. We’ll be talking about why we write fantasy, our inspirations, what we love about the genre and how it allows us to talk about the real world. More information on the location and how to get tickets is available here.

I hope to see you there!

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All I want for Christmas….

Of Gods and Men novella…..is a review. Well, ok, I would like people to buy my books, but if you’ve done that already, then thank you. But if you have a bit more time then I would really appreciate it if you could leave a review on Amazon, and Goodreads (if you are on there), even the same one copy and pasted on both sites.

Now, I know there are lots of issues with Amazon, and it is not the only place to buy books, or the best for various reasons. I would always encourage people to buy first from their local bookshop or local/national chain (Waterstones here in the UK). However, a lot of people use Amazon to browse as it is easy and convenient, and cheap at times, but if you have an account on there you can still leave a review for any product. Why Amazon? And what difference will it make?

MagebaneWell, Amazon has complex algorithms I won’t even pretend to try and understand, but the bottom line from what I’ve been told is – the more reviews on there, the better. This means the books get picked  up and promoted, put on special deals, put on lists and so on. That means my books will get put in front of more potential readers. Even if you read the book a while ago it doesn’t matter. Amazon doesn’t ask when you read the book like Goodreads, so you can leave a review at any time.

Magefall_finalcover_StephenAryanThe other reason to leave a review is for the readers. People want to find out why you particularly liked a book. What was it that you enjoyed? Was it the characters? The action? The style of writing or the pace? The themes it explored? The blurb on a book can only tell you so much out of necessity to avoid spoilers and because of space, but readers can often talk about a book at length without spoiling every beat of the story.

A quick note, as I have had few people ask. Below is the list of all my books and my recommendation for the reading order, which isn’t what you might think.

Battlemage - Stephen Aryan

Age of Darkness trilogy

Battlemage

Of Gods and Men (digital/ audio novella)

Bloodmage

Chaosmage

Age of Dread trilogy

Mageborn

Magefall

Magebane (coming June 2019)

 

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Magebane Cover Reveal

MagebaneThe word is out. The final book in the Age of Dread trilogy is called – Magebane. This is the big one. It wraps up everything. Six books and a novella worth of story and characters. That’s not to say every little thing is tied down and sorted, but I had to make sure a lot of it was squared away.

As a result the book is currently longer than the others and I think it’s my longest so far. We’ll see when it gets to the final cut. I’m currently working on the copy edits as I write this.

In theory, I may never return to this world, so there was a lot to get sorted. Never say never, but right now, I’m done with stories told in this world and moving on to something new. I may return in the future but that depends on a number of different factors beyond my control.

So, because I’m ahead of schedule on my deadlines Magebane is going to be published in June 2019. That’s right, you lucky people, you don’t even have to wait a year for the next book! I’m really spoiling you.

Below is a link to the Orbit books blog post with a bit more info of what to expect and a bigger version of the cover.

Orbit blog post COVER REVEAL

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November update

A quick update on everything.

Book 6  – This now has a title for those with eagle eyes on Amazon, and a release date next summer. I sent back a second draft to my editor about two weeks ago and like a rubber ball it’s going to be coming back to me very soon from the copy editor. I’ve got two and a bit weeks to turn that around and then I should, in theory, be ok until the new year to focus on new stuff.

New book – I’m making steady headway on the first draft. Parts of it have morphed as I’ve gone along, surprising me at times, but the overall shape of the story has remained intact. It’s different to what I’ve done before. There’s also not even a sniff of a mage or a wizard anywhere. Although I can say it’s still fantasy. I had hoped to get the first draft done by Christmas but it seems unlikely now with book 6 edits come back again so soon. However I should be able to finish off a first draft early in the new year.

British Fantasy Society – I wrote a piece about finding an agent for the BFS. For those who are members it appeared in their Summer 2018 Focus magazine.

New Interview – To celebrate the publication of Magefall and because it had been a while, I recently did a podcast interview with Hank Garner on the Author Stories Podcast. Hank has interviewed hundreds of writers across a range of genres, including some really big names in fantasy and SF. You can find the podcast on iTunes as well as my episode here

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Mageborn competition winners

JMageborn by Stephen Aryanust a quick post to say I’ve chosen 5 names at random and the following people have won a signed copy of Mageborn!!!!

1) Cyberdechu

2) Lauren Maharaj

3) kaladanuk

4) theamazingmrg

5) psoans

Please email me your full name and postal address to receive your copy to stephenaryan56 [at] gmail.com

 

 

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Magefall – Time is weird

So, Magefall is published this week. Yeah, how did that happen so fast? On the one hand, it feels like 5 minutes since Mageborn was published. On the other hand it’s actually been nearly a year and thinking back over the last twelve months quite a lot has happened to me in that time. To quote Roy Batty “I’ve seen things….”

I never used to understand keeping a journal but now, as time goes on and the years tick by, I can see the appeal. It’s easy to forget about what you’ve actually done in a month or a year as your brain only picks out a handful of  highlights unless you really dig down and focus. I’ve taken to writing things in my calendar and occasionally I flick back through it to remind myself what’s happened, and to try and make time slow down a bit.

So my first novel, Battlemage, was published in 2015. Also, that feels like ages ago and, at the same time, just like yesterday. As a debut author with Orbit my first trilogy was on an accelerated release of 6 month gaps so we had Battlemage in 2015, then Bloodmage and Chaosmage in 2016. Mageborn came out in 2017 and now we’re here with Magefall in 2018 – plus I had a digital/audio novella, Of Gods and Men, come out in February this year. Mage 3 (no idea for a title yet) is already written and will be out next year in 2019. Currently I’m working on something new, which in theory would come out in 2020 or later.

So my head is constantly split between different time periods. I’m pondering about the past, trying to live in the present and am always thinking about the future. It was a lot worse when I was working on the first three books at the same time in different stages. All of this jumping around is confusing and sometimes it can give me a bit of a headache.

So, right now, this week, I’m going to celebrate Magefall being published, my 5th novel, which is available to buy in the US from here or in the UK from here and leave you with a shiny picture of the two books in this trilogy together. Enjoy!

 

 

 

 

 

 

 

 

 

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Mageborn Competition

To celebrate the publication of Magefall (which is available to pre-order now from Waterstones, Amazon UK, Amazon USA, your local bookshop) in a month’s time I’m giving away 5 signed copes of Mageborn, book 1 in the trilogy.

To enter the competition is really simple. All you need to do is post a comment below and complete the following sentence in 30 words or less. “I should win a copy of Mageborn because…”

That’s it. Be funny, silly, whatever you like, and with only 30 words to play with you’ll need to get creative!

This competition is open to anyone worldwide. Just put your name in the comments and then check back at the start of September for the list of winners.

I will pick 5 winners and then get in touch with them for contact details. Good luck!

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Breaking all the rules

I’m currently working on my 7th novel (since being published – not including all the trunk novels) and something weird has happened. I’m breaking some of my own rules.

You have to write every day. You have to plan every book. You must not plan the story, let it flow organically. You need to set a daily word count. You should write to music. You should write in silence. Write in different places. Don’t have a set routine, be organic. Write in public. You absolutely have to get scrivener (or another program) in order to write. Use cards on a white board and plan stuff that way.

There is not one way to write a book. I need to make that clear because the most common questions I’m asked by writers trying to get an agent and then get published are focused on the above. Do I have to write a 100o words a day? Is it better to write in the morning or afternoon? Should I write with music? Should I work on more than one book at once?

Find your own way. Find what works for you. My way might not work for you. I’ve included a few conflicting statements above as I know some people who plan and some who write organically. Some who write in silence, some who need music. The following in my approach. It may not work for anyone else except me.

I always write at home, on Word, and nothing else. I plan my books, start, middle, end and milestones. The creative part comes in the leaps between milestones. I make notes in a notebook, on post it notes, on my phone, on scraps of paper, then write them up, and collect them together. I plan my stories. I always write with soundtrack music and can’t write with any music that has lyrics. I tend to write most days but am not rigid about taking a day off and I tend to set a daily word count for myself as I have deadlines. The word count keeps me moving, keeps me motivated and I constantly have one eye on the calendar. All of those are my rules and that’s what works for me. The music and being at home helps get my brain into a familiar space and off I go, sort of like muscle memory.

For my 7th novel, I’ve broken quite a few of my own rules. I found out when I started I couldn’t write with any kind of music. Nothing was working, which at first had me worried. So one day, after I’d revised my notes so many times I knew I had to actually write something I just tried it without any music. And suddenly it worked. The words started flowing. I had a new rhythm. I didn’t care why it was working only that it was working, so I continued. Months later I’m still writing this book without any music.

I’m tweaking my chapters. I never do this. When I sit down to write, I look back at what I’ve done on the previous day, I might tinker with the last paragraph or two, if it’s mid-chapter, or just glance at it if I am starting a new chapter. Then I move forward. Always forward so I finish a first draft and don’t get stuck in the endless cycle of trying to make it ‘perfect’. A first draft is never perfect. It’s always a mess. As Terry Pratchett said ‘A first draft is just you telling yourself the story’ and I absolutely believe that. The reworking comes later to make it flow and make it into more cohesive whole.

But this time I’m…tweaking things. Not to the point where I’m frozen and stop, but overnight, or when I’m away from the keyboard, I’m running conversations or bits of the previous day in my head, then I rush back and fix it that day, or first thing the next day. I’m still making good progress but this is very new and different. It might be because it is set in a new world, and I am still discovering it and the characters, but I also think it’s partially because this is a new style for me.

No music and polishing as I go. The first draft is still going to be rough, no doubt, but I’m happy with it so far. Ask me again in 6 months when I start to revise it and I will have a different answer, but it’s good to feel that way right now. I’m still planning and I have a skeleton plot which I’m following. I still set daily word counts and I still take a day off when I feel like it, especially if I’m tired or the well is getting a bit dry. A rest and complete break really can help me recharge the batteries.

So, somehow this time, it’s all new and different and fresh, despite it being my fifteen or sixteenth novel. I’ve honestly lost count at this point. But the important thing is it’s working and I will finish this first draft as planned. Stop worrying about how other people do it. Find what works for you and just finish the book.

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Achievement Unlocked: Blacksmith

Here’s the thing. I write fantasy books for a living featuring warriors and wizards. In every single book there are many characters waving weapons around. Swords, axes, bows, daggers, the occasional mace, spears and all manner of weapons designed to main, mutilate and murder. But I’ve never done a day’s work as a blacksmith in a forge in my life…..until now!

BLACKSMITH badge

 

 

 

The moment I entered the forge the smiths all asked us level 1 noobs, what we did for a living. I then spent the rest of the day apologising for everything wrong in my books about blacksmiths, making weapons and forges. I do research but some things are always going to be wrong. The owner of the forge, John, promised to seek out my first book and read it. So I had to apologise to him some more.

I wouldn’t say I got everything wrong, but just like any other craft or skill, unless you do the thing, you won’t know what it’s really like. Just talk to Mike Shevdon about archery in films and TV and he’ll put you straight! I’ve done 2 years with a recurve bow so I’ve already unlocked my archery achievement. Now I know slightly more about being a blacksmith than before but there’s still an awful lot to learn before I could comfortably say I know 1) how a forge works and more specific to me 2) how to make weapons.

One of my birthday presents this year from back in March was an experience day in a forge making something. I thought it would be great fun to make my own sword. In one day.

A Sword in a Day

Every professional blacksmith is now laughing at me a lot. Making a sword takes time. A lot more time than one day, which I didn’t have. The people on Forged in Fire make it look easy because they’re professionals and they have something I lacked – editing. It also takes skill and precision, neither of which I naturally possess when it comes to working metal. Nevertheless, I had one day in the forge and at the end I was determined to come away with something. It’s a sword to be sure, but we cheated. A lot. Ultimately the goal was to have fun, learn about being in a forge and have a great experience which I did.

Here’s the other thing about being a blacksmith. It’s hard work. It didn’t help that by chance I happened to be in the forge on one of the hottest days of the year so far, but hey, I didn’t know what the weather was going to be like in early July in the UK. It could have been raining or cloudy.  There might have been snow on the ground. By chance it was hot in the morning and then over 30 degrees in the afternoon and it was even warmer in the forge.

The Riddle of Steel

So I started with a big chunk of steel. No, I didn’t fold my own metal. Then I used a grinder to shape the tip of the sword and after that came the toughest part. After heating up a section of the metal one piece at a time I then firmly began to hammer the edge flat on an anvil. Now, at the start of this process, I had a piece of metal long enough for a 5-6 foot longsword. After 3 hours of working the metal I hadn’t really progressed very far. Partly because it was hard work and very hot, but mostly because I was a total beginner and it’s really not that easy. So we chopped off a chunk of the steel and made it a slightly shorter sword.

Here’s the other thing I didn’t realise. When you start beating the metal one way it tends to bend, so I then had to flip the steel over and beat the other side to try and create a straight weapon. Then flip it back to do side 3 and flip it again to do side 4 of the same section before the metal grew too cold. If you didn’t manage it in the given time then the metal had to go back into the fire to heat up. Repeat and rinse. Over and over. For hours. So, my blade is kind of straight. Just don’t look down the length of it!

So, short of time, I skipped a bit and then jumped to using an axle grinder to sharpen the sides of the steel and give it an edge. This got me up to about 3-4 foot. There was the option of making the crossguard, but with the time remaining and my skill level, it would have been basic. So I opted for something that looked a bit cooler and was pre-made! Normally you’d continue shaping the rest of the steel, cut the tang, work on the grip and pommel but we fudged a few parts with welding and the like. The end result looks like a sword and it is actually fairly sharp (in places) but it’s not a weapon I’d use in a real sword fight as it might break.

I haven’t named the sword yet but feel I should at some point. Overall the day was enormous fun, I learned a great deal, have an even healthier respect for blacksmiths and weaponsmiths than I did before and I came home with my own sword. All in all a pretty good day which is why I look so smug.

finished weapon

 

 

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