I’ve posted a few times on here in a vague fashion about some of the comic projects I’m currently working on. Today I’ve decided to just show you some of the artwork and you can judge for yourself. The first two pages are from Empyre (with Adam Bolton and Ryan Taylor on art) and the second two from Flux (co-written with Pete Rogers and with art by Maysam Barza). Empyre has been submitted to a publisher and we’re awaiting their response and we haven’t submitted Flux yet but are getting close.
Tag Archives: where’s my shoggoth
There’s an old joke I remember from my childhood about a brave pirate. Whenever his ship is about to be attacked he calls for his red shirt which he wears over his other clothes and then fights as hard as he can. The idea being that no one will know if he is wounded because the blood won’t show. Then one day they are attacked by several ships at once and he calls for his brown trousers.
Anyway, the story is apt as I’m now approaching the critical red shirt stage. I’m not quite at stage two yet, but I think that will be next year when projects are no longer under my control and are in the hands of readers! This week, my artist partner in crime, Adam Bolton, will be at the New York Comic Con. Adam is the artist for an all ages book called ‘Where’s My Shoggoth?’ which came out about two weeks ago from Archaia and he will be signing copies at the Archaia booth. So if you are going to the show, please drop by and say Cthulhu at him and jibber and rave about monsters from the sea. He’ll appreciate that. And buy a copy of Shoggoth as well please. Anyway, Adam is also armed with about ten pages of Empyre (the four issue series which I wrote and he drew) which he will be showing to various people. While he is doing that I’m going to be sat here in the UK, biting my nails down to the quick, checking my phone every ten seconds to see if he’s sent me a text. And if not, why not? Should I text him? When is it appropriate to text him? After the first hour? First two hours? How many times can I text him before I become a nuisance? and so on. As I said, red shirt time.
Next month in the UK, is the Thought Bubble comic book convention, and Pete Rogers and I will be armed with completed pages from Flux, the mini series we have co-written. Maysam Barza, the artist, has been doing a remarkable job and I am very impressed with his work. Both Pete and I are confident that we have something quite special, so now it’s our turn not to mess it up and speak about it with both passion and clarity. The schedule for Thought Bubble was released yesterday and there is more of a focus on creator owned comics and Image comics than in previous years which is very encouraging. Eric Stephenson, the publisher of Image comics, and several Image creators will be attending, so I’ll be taking notes and listening closely to conversations throughout the weekend.
I think there’s definitely been a shift in the comics industry in the last two years, more so in the last ten months. More established creators are getting involved in creator owned projects, crowd funded projects and digital only projects. I could talk at length about that but I won’t here. The relevance to me is that readers are more open, now more so than ever before, to new voices, new characters and new publishers. For every well established creator working at the Big2, there are now two dozen names I’m vaguely familiar with who are slowly building their own following, through their creator owned and work for hire comics. Three years ago no one knew who Scott Snyder was, but now he is a rising star and his name is very familiar. Equally Jeff Lemire was known to some for his creator owned work like Essex County, and his Vertigo book Sweet Tooth, but it was his step into the mainstream with Animal Man that put him on the radar of many mainstream readers. There have always been new faces (artists and writers) at both companies, but there’s definitely been a bit of a change lately, or at least it seems that way to me.
Online digital platforms and catalogues like Comixology mean that once a reader has gone through their usual stack, there are so many other comics they can try with just a click of a button. Some people, retailers in particular, are very afraid of digital but in my opinion it’s another flavour, not something that will completely replace print. Nothing digital will ever be able to compare to a glorious hardback, super sized, collected edition with a sketch and signatures from the creators. IDW have been publishing some amazing art books that are glorious artefacts that would be inferior, in my opinion, if read on smart phone or tablet.
So the market is shifting and constantly evolving, and I’m trying to wade in and tread water and it is both terrifying and exciting. I’m really looking forward to what happens in the next few months and what 2013 will bring, which could see writing posts about when a comic book project will be published, rather than if it will be published. That’s when I move out of the red shirt phase.