The Good Life

If you’re of a certain age then you will remember a day when there were only three TV channels in the UK, then a miracle happened and they introduced a fourth channel. Many years later, a new and exciting (and to begin with slightly dodgy) channel 5 was beamed into our homes. Now there are hundreds of TV channels, and more decent TV programmes than I can keep up with. But back then, when choice was limited, there were only a handful of shows I actually enjoyed. But I watched all sorts because there was literally nothing else on. Of course I did other things, play, read, see friends, whatever, but when I wanted to watch TV, there wasn’t much on.

goodOne of the TV shows was called The Good Life. It featured the late, great, Richard Briers, who a more modern audience may recognise as that old mad bloke from Monarch of the Glen, or very recently, the granddad with a zimmer frame spying on women with his binoculars in Cockneys versus Zombies. Anyway, for those who have no idea and never saw it, here’s a link to the Wiki page for the show. Very simply put, Tom and Barbara give up the rat race to become totally self sufficient, growing their own food, raising animals, making their own clothes and so on. It was silly fun and their neighbours, the posh Jerry and Margo, were often horrified by their green fingered grubby antics. I rather enjoyed the comedy and the laughs were genuine, but I never really took much away from it. Or so I thought.

Roll on twenty years or so and although I’m not Tom, I’ve started to find that I’m inching my way towards his point of view. I like the idea of being self sufficient, living green, looking after the environment and the planet. I don’t make my own clothes, or generate my own power with methane from my farm animals, but I’m more willing now to explore new ideas around housing, generating power, growing food and trying to reuse stuff rather than keep making more and more. Recycling is pretty much par for the course now, whether it’s water, glass, paper, plastic, all sorts of stuff. Some people don’t bother, but every week I see local recycling centres are busy. We still get the occasional rag and bone out coming around for scrap metal, but most people do it themselves now. Also most places have several bins now, whereas when I was young, you dumped everything in one and the bin man took it away and someone else sorted it out. Landfills still exist of course, but lots of work is being done to do more with what we all throw away.

Recently I’ve also started to dabble in growing some of my own veg, although at this stage it is only a hobby. I definitely don’t have a green thumb, maybe a green finger nail at best. Even so, I’m finding there is something immensely satisfying about planting seeds or tiny plants, and seeing them grow and flourish into edible produce. Over the last ten years or so I’ve also started trying to buy more local produce, support local businesses over the big names and therefore support the local economy. The old Tom Peters business adage was always ‘think global act local’. More and more people are now aware of the global landscape (due to the 24 media news cycle and social media), but they are more becoming interested again in local issues, local businesses, local events and dare I say it (or perhaps I’m just wishing it) a slow return to a local community mentality.

The other thing is, the whole planet is becoming a bit more like Tom from the Good Life. Fossil fuels are no longer seen as a long-term sustainable way of generating power and there are thousands of wind turbines dotting the landscape. Bio-fuels and other techniques are being explored. Electric cars are no longer a radical idea and saying ‘you should be lowering your carbon footprint mate’ in public will not get you a dirty or quizzical look. Water conservation and also water storage is becoming more important in many western countries, particularly in places like the US and very hot countries like Australia. Supermarkets are sourcing more products locally, dairy and free range eggs and better treatment of animals is now something people expect. Paper is coming from renewable sources, fair trade tea, coffee and other products are common in supermarkets and no longer a rarity. My grandparents are of the generation where you could only buy certain produce at certain times of the year, and they never ate or saw certain fruit until they were much older, as it wasn’t imported in the large quantities that we have today.

Where I’m going with this? I’m not completely sure, other than to say the Good Life ran on TV from 1975 to 1978, and since then it has been repeated many times over the years. The thing I wonder about is, why has it taken us so long to get to this place? And why are some people still totally unwilling to believe that we’re having an impact on the environment, climate change and the planet? Some of them are the same people who don’t believe we landed on the Moon, so I don’t pay much attention to them.

How we respond to change, big and small, is something I think about. How we’re quick to embrace some things, and yet it takes us decades before something else becomes part of our everyday landscape. How we are constantly looking to the future and yet we seem slow to learn some of the lessons of the past. Why it often seems to take something really shocking to happen before people look a little more closely at the environment, or how international business drills for oil in their back yard. I don’t know what the answer is, I don’t think there is one definitive answer, but for me it means taking stock every now and then, looking at how I live my life and making changes.

Real Ale: Riders on the Storm – Kelham Island Brewery

A golden amber ale combining the best British malts and a combination of British and American hops which mingle together for a fragrance of fruits and spices. The addition of crystal malt gives a fulfilling equilibrium of sweetness and body.

This 4.5% pale ale is from a brewery I’ve not tried before, Kelham Island Brewery, which is based in Sheffield.The history of the brewery is quite interesting as its first beer was in September 1990, making it the first new independent brewery in Sheffield in almost 100 years. That’s pretty remarkable as breweries have been popping up across the Yorkshire region for many years, and yet it had been quiet in Sheffield until Kelham Island.

Another interesting aspect of Kelham is there is a link on their website which talks about working with local artists on the pump clips. Coming up with the name for a new ale is always going to be difficult, as it needs to be something catchy and interesting, but like so many other things, the packaging has to be eye catching. Most, not all, real ale is produced in the same sort of brown glass bottle. So the label, or if you’re in a pub, the clip, has to be something special. This isn’t a side of the process that usually gets a lot of coverage, so it was fascinating for me to have a behind the scenes look. There are some really interesting designs on the Kelham Island website here.

Anyway, about the beer itself. The name and the label caught my eye first, and the description above made me keep reading. I’m not a fan of ales that have a strong citrus edge, but a flavour of fruit and spices sounded interesting and worth a try. It was a very clean and crisp drink, a little bit of fizz, but not too much that I was burping a lot, which can happen when they’re too gassy. It was a little sweet, but also very mild in flavour. So while it was nice and I did enjoy it, some might find it too mild and want more of a kick in the taste buds, but if you like something smooth then I’d recommend it. The beer was also very light, as I drank a bottle and didn’t feel bloated or heavy afterwards. Colour wise it’s almost amber, but I believe it’s still classed as a pale ale.

More information on all of Kelham Island Brewery’s beers can be found here on their website. If you’re in the area you can arrange to take a tour and find out where they’ll be appearing at any events and all of their latest news is on their blog.

Going Digital

Digital comics have been around for a while, but it wasn’t until a couple of years that things started to really get organised. There were various options out there for quite a while, reading comics as PDF documents, reading them in weird web browser versions, all sorts of stuff. Then the rise of tablets started, they became more popular and the price came down a little as many alternatives came out to the leading brand. Then a couple of prominent digital platforms sprang up for comics. Comic companies, keen to explore all new avenues of revenue, developed their own apps for the sale of their comics.

Roughly three years ago a comic rorschach the end is nighcompany tried their first day and date experiment, releasing the digital comic on the same day as the printed copy. The retailers kicked off, announced the physical comic shop was going to die as a result, the industry was doomed and digital comics were to blame. It turned out they were wrong. Digital comics sales didn’t cannibalise physical comics sales, in fact, over time as we saw a proliferation of digital comics, the opposite has happened. Sales of physical comics increased. Digital comics are simply another sales channel, and people are buying more comics as a result, sometimes double dipping (buying digital and then physical trade paperback collections).

Small aside. Mark Millar, isn’t a believer in digital comics. He’s a strong supporter of comic retailers. He thinks digital comics are just for casual fans. I think he’s wrong. He seems to be ignoring the obvious, not everyone has easy access to a comic shop. Not everyone can get physical comics regularly in other countries, and when they can get them, they may be months behind. So they can’t take part in any part of the worldwide comics community without having stories spoilt for them, they can’t read the websites, listen to the podcasts, attend the shows. Digital comics allows fans, anywhere in the world with internet access, the ability to be an active part of the comics community.

Despite being a lifelong comic book fan I know how intimidating comic shops can be to newcomers to the medium, and I’ve spoken about this many times so I won’t labour the point. Digital comics platforms allow an individual to browse as many comics as they want without any pressure to buy, or to be experts on everything straight away. Because there is a bit of that mentality in some comic shops and I hate to see it because it scares away new readers. With digital comics, people can find their own way, dig around, try a few comics and see what they like and don’t, and if they then want to, and feel comfortable enough, will visit their local comic shop. Hopefully. Because there are all sorts of treasures and artefacts in comic shops, like oversized hardback editions, limited edition special prints, rare comic covers by all sorts of artists, absolute editions, signed comics and a tonne of other stuff. Don’t even get me started on the joy of the monthly pull list. There’s also being an active part of your local comic community, attending local meet ups and events and conventions.

DC LogoIn 2011 DC comics rebooted their whole comic book line. Every single monthly comic book was reset and all 52 titles started over with a new number one. To attract new readers, to refresh everything, and to plant a flag in the sand. They also did something else very interesting and bold that no one had ever done before. Every single book was scheduled to be released on a day and date schedule. Again the retailers kicked off, cursed DC, promised not to stock their books, all sorts of stuff. There were discussions and compromises and now digital comics typically cost the same as physical comics for at least the first month, to encourage people to go into their local shop and buy the actual book. After a month or 6 weeks, the price of the digital version drops slightly, because by then, the physical comic is often off the shelves in the shop, so it’s no longer direct competition. A little while later Marvel followed suit and now many, if not all, of their titles are also available in a digital format on release day.

ComiXologyComiXology is now the largest digital comics retailer. They’re the iTunes of digital comics, selling comics from pretty much every large publisher and many smaller publishers. Recently they’ve even opened the doors a little, so really small indy publishers can submit their comics to appear on ComiXology. Other channels for digital comics are still available, but they’re the big dog.

So, that journey has been going on, and I’ve been watching it for the last few years very closely. Now I’m not a gadget guy. I don’t like cars, don’t want the latest phone, don’t care about brands or fashion, it’s just not my thing. I’m definitely not an e-book reader. I love physical books. I understand why ereaders are useful and why some people like ebooks, and again I see them as another channel, but they’re not for me. I had the same attitude to digital comics for a long time too. Then I ended up with a tablet. Essentially I did some work for hire and I received the tablet as payment.

So, I downloaded a few digital comics. There are things I don’t like about digital comics, and I still buy and prefer physical comics, but my initial dislike has now shifted. I sometimes double dip, buy the first couple of issues of a title and if I enjoy it, I will switch to physical trade paperback collections which I buy from my local comic shops. I sometimes buy digital only comics, those crafted for mobile devices. About a year ago I tried an experiment, to read a monthly comic book only in digital format and see what happened. Sadly, through no fault of my own, the experiment ended, as the title I was following ran into trouble and it disappeared after 2 issues.

bat19So now I’m trying the experiment again. Batwing, one of the new 52 monthly comic book titles from DC, recently went through a refresh, with a new pair of writers and a shift in the story. It’s a great jumping on point, I like the writers and artist, so now I’m on board.

I’m going to try and read it on a monthly basis, digitally, and see what the experience is like. Hopefully this title will be around for a while so I will have some time to explore a longer story, but purely from a digital standpoint. I can already see some pros and cons, but I’ll come back to this in a few months and do another post.

As ever, if you’re interested in getting into comics, want to read them but don’t know where to start, then get in touch and I’m always happy to point you to some titles to match your interests and favourite genres.

Real Ale: Ilkey Black – Ilkley Brewery

I’m a real ale drinker. Have been for ages and ages. Given the opportunity I’ll always pick an interesting local ale over a standard pint of something from the pump. I don’t know my wine or my whisky, couldn’t tell you the difference between a single malt and a blended. I’d need to be guided through what I was looking for, with a glass of each in either hand. I’m not going to claim to be an expert in real ale either, but I know what I like and don’t, so for a bit of variety amidst the writing and other posts, I thought I’d start doing some real ale posts.

There are approximately 100 breweries in Yorkshire alone, so that’s a lot of pints and a lot of different ales to try, plus many of the breweries have seasonal ales, special ales, competition ales. So I don’t think I’m going to run out of things to dry and talk about, and that’s just on my doorstep, never mind nationwide.

Ilkley Black

ibThis traditional dark mild won the bronze medal at the SIBA Northern region beer competition 2010 as well as being voted the winner in its class at Bradford beer festival 2010. The blend of 5 malts used in the mash give a smooth, mellow easy to drink malt flavour with a hint of liquorices in the finish.

I’m a fan of blonde pale ales, but I really really enjoy ruby and also dark ales that are not bitter or stout. Years ago in the Czech Republic I tried a delicious local beer called Kozel, which they’ve been brewing for about 130 years and it’s surprisingly light at about 4%. I think that was the first time I’d tried a dark beer and since then I’ve been seeking them out.

Ilkley Black is a really smooth drink. Barely a whisper of any bite and what there is leaves a small taste of liquorice in your mouth. To be clear, I’m not really much of a fan of liquorice, and yet I really enjoyed this pint, so the taste is very mild. Not too frothy, very little fizz, nice and chocolately and not at all bitter. In some ways it sorted of reminded me of salted caramels, if that makes any kind of sense. A real tasty ale.

More information on all of Ilkley Brewery’s beers can be found here on their website, or you can order a wide variety of Yorkshire Ales from this special Yorkshire ale website and shop.

We’ve got one!

we got oneI’m delighted to say that I now have an agent. I am represented by Juliet Mushens of The Agency Group. That’s the short version for those who want to skip to the end.

It’s taken a long, long time to get here. I’m still trying to process it and also work out how long, but probably about 15 years. The fantasy novel that was picked up by Juliet is not my first, or second, or third, or fourth. So, that’s a lot of years of writing, a lot of rejections after carefully studying the Writers and Artists handbook, a lot of going to industry events, writers weekends, spending time on writing websites, forums, reviewing other people’s work, a lot of listening to stories and advice at event panels, making notes, countless nights of staying up very late to work on ‘the novel’. A lot of sacrifices. A lot of turning off the computer game, or TV, to make myself put my bum in the chair and hit the keyboard. I didn’t always do that of course. Some nights I was just too tired after work, or too fed up, or too annoyed and I kept playing and ignored the novel. But I always came back to it, and even when I realised it was time to shelve that novel and try something else, I kept trying and hopefully kept learning. There was absolutely no guarantee that I would succeed, but I had to try because it is something I’ve wanted for a long time. When people talk about me, stubborn doesn’t even nearly cover it.

Speaking of other people, I couldn’t have made it this far without the support and encouragement of many people, friends and family, who always believed in me, even when I didn’t.

This is definitely not the end of the road, just a big step forward, and I’m also very aware that there is still a lot of work ahead, but now I’m actually on the right road. So I’m delighted to be represented by Juliet, who also represents a few friends I’ve met over the years at the conventions, including Lou Morgan, Laura Lam and Andrew Reid.

Right, time to get editing. More news when I have it, but expect sporadic random posts in the meantime about stuff, films, TV, comics etc.

My Workspace

This post, and other related posts that will probably be forthcoming by Laura Lam, Jennifer Williams, and by Lou Morgan was inspired by a tweet Laura made about finally getting herself a shiny new desk.

I’m always curious to see other people’s creative workspace and what they surround themselves with to help them write or focus, or maybe it’s stuff they have to hand. I wonder if they have posters or inspirational quotes on the wall, what books they have on hand for reference, or toys, or a whole bunch of other things I’m sure I can’t imagine.

Below is a picture of my desk and below that a quick guide to some of the junk on my desk and why it’s there, plus what is just out of sight. Quick mention about the desk itself, it’s massive and it’s totally plain, but it’s one I’ve always wanted, so I have everything I want right there, to hand, and it’s perfect for someone like me with long legs.

rr1 003

From left to right moving anti clockwise around the desk :-

1 – My pop shield, for recording podcasts. Headphones for the same and also for listening to music and podcasts, which are vital for long daily commutes for the day job.
2- Post it Notes. I’ve now started using digital ones on my phone when I’m out and about, for ideas, or to remember things I need to buy, but sometimes physical ones come in handy.
3 – Current Work in Progress. I’m doing yet another edit, going through it, line by line, with the red pen.
4 – Glass bowl. Currently empty, but normally it has chocolate it in to keep me going. Vital for any creative person. Well, that’s my excuse and I’m sticking to it.
5 – Soundtracks plus other CDs. I’ve transferred most onto my PC, but sometimes I add new CDs, or buy new stuff and it stacks up there. I usually write with music to help get me into the right headspace. Not to set the mood, but just to help me focus.
6 – iPad. I’ve only had one of these for about a year, and it was a gift, otherwise I wouldn’t have bought one. I’m actually surprised to say I use it quite a lot for bits and pieces, reading digital comics, watching the news from the BBC with breakfast, social media stuff and so on.
7 – Just under the iPad is my current, must read comics. There are about 3 trades under there. Just to the right, off screen, is a stack of another ten trades that I then gradually move up to my desk when those are gone. To the far right, is a set of shelves full of comic trade paperbacks and hardback comics.
8 – On top of the printer, the big golden book. A recent birthday present, the Golden Age of DC Comics – 1939 to 1956, which details the history of DC comics during that period and it covers several of their characters during that time including, Superman, Batman, Wonder Woman, Green Lantern (Alan Scott, not Hal Jordan or any of the other modern Lanterns), The Flash (again the original one – Jay Garrick), Robin, Plastic Man and Hawkman. A cracking good read to dip in and out of for a lifelong DC comics fan like me.
9 – My trusty laser printer, when I just have to print stuff out and see a physical copy so all of the things that need fixing are suddenly so easy to see.
10 – Beside the printer. A couple of reference books – Eats, Shoots and Leaves, a guide to punctuation. Also a copy of Collins Thesaurus when I need something different, but not totally obscure.

I don’t actually have any inspirational words or poems on the wall, but I do have several comic book prints, two by a favourite comic book artist and writer, Terry Moore, two movie prints, from Rocky Balboa and The Green Mile (both favourite films of mine) and several other bits and pieces making it completely my space. The rest of the room is full of books to read and my to read pile is pretty hideous at the moment. I’ve actually banned myself from buying any new books for a while, but we’ll see how long that lasts.

So, that’s my work space, what do you have in yours and why? If you post one of these, please link it back to the others so we can keep the chain going.

Free Comic Book Day – May 4th

The first Saturday in May every year is Free Comic Book Day, and it means exactly what you think. Every participating comic book shop orders a bunch of specially produced comics for this particular weekend and anyone is allowed to come in and pick up some of them for free. Now obviously people have to be sensible, and can’t just grab ten copies of everything, plus the free comics cover every sort of genre and age group, which is done on purpose, as they’re designed to attract new readers from across the spectrum.

What I often notice at my local shop, and has become clear from quickly perusing the list of comics this year (which you can preview here), is that there are a lot of comics for kids. I think that’s a brilliant thing and the industry needs to attract lots and lots of new, young readers. Because in 30 years time, they will be the evangelists keeping the industry alive, writing and drawing the comics, and making as much noise as possible to attract a new generation of readers and creators. Comics are doing well at the moment, the monthly numbers are up compared to a couple of years ago, but they’re not as impressive as I’d hope. I think part of this is because comics have become a transmedia phenomenon, and some young people come across and then follow comic book characters without actually reading the comics. They play the computer games, watch the cartoons and TV shows, and of course a quick look at the top grossing films at the cinema will show you, they also watch the films and buy the DVDs. But how many of them then find their way to their local comic shop, or now, buy a digital comic on their tablet or phone featuring the same character?

From speaking to both of my local comic shops I know that every year they do very well from Free Comic Book Day, because people pop along for the free stuff, and then browse the shelves and pick up other titles that catch their interest. This makes it worth them buying and paying for the free comics which they then give away to new customers. I usually tend to avoid visiting my local shops on Free Comic Book Day because they’ve already got me, they don’t need to convince me to come back, and they’re rammed with people.

Looking down the list of Free Comics, my top picks would be, Atomic Robo and Friends, Grimm, Mouse Guard, and The Tick. There are so many others

As ever, I’m always happy to recommend comics, from any genre, so if you want to start reading comics, but don’t know where to start, get in touch.

 

Projects update April 2013

Just a quick update on current projects. The day job has been keeping me busy, but I’ve been chipping away on the creative endeavours which fuel me.

Sadly, it looks as if Empyre is dead. For now at least. We submitted it to a few comic publishers, one of which didn’t bother to respond at all, so after several months we sent it to a different one. An editor got back in touch with us, told us it was too similar to lots of other comics out there, and he thought the art was good, but not great. I disagree completely, and despite his modesty, I think Adam’s art is excellent, especially when I’ve looked back at the original pages he did a couple of years ago. He’s progressed significantly since then and he is a really good artist. As to the comic being too similar to others out there, well, I can’t find any, but perhaps they’re in the works now and will come out soon. Anyway, my disagreements don’t really matter as they don’t want it. So, we talked about self publishing, we discussed other options and decided to leave it for now and maybe come back to it. So in the meantime we’re currently thrashing some out some new ideas together, and Adam, Ryan and I will start work on something new very soon.

Flux is pretty much ready to submit to a publisher. We had to make some changes to the first few pages of art, due to external complications, so that required a rewrite and then Maysam rejigging and redrawing parts. However, that’s all done, we’re tweaking the submission document and then it can be sent off.

I also want to move forward with a digital comic idea I’ve been knocking around. The whole script is done, I just need to find an artist now with the right style and then get it moving.

On the novel front, I’ve been delaying the inevitable. I’ve been revising it, and editing it, polishing it and then polishing it again. I’m currently working my way through another polish, this time by printing it all out on paper in a different font to normal, and marking it up with a red pen. It’s slow going and I’m taking my time and trying not to rush it, but I also think I’m now just stalling. Once this latest draft is done, I’m going to submit it to the first agent on my list. This will be some time in May by the time I’m done with the red pen. I’ve very carefully drawn up a list of agents, listened to a lot of the #askagent Q and A sessions on twitter, done my homework on other authors and who they are represented by, and I’ve listened to a few agents at events. Feedback from beta readers has been positive, and I’m looking carefully at their comments, but now it’s really all up to me.

So, it’s almost time to cross my fingers, close my eyes, and hit Send.

Once it goes off, I will move forward on book 2, which I’ve actually started and have gone over the first chapter eight times already. Normally I keep moving forward, then come back and revise, but I’m being a little bit more careful this time. I suspect once in find my rhythm again it will become easier but I’m a bit rusty.

I’m still remembering to take the odd day off, relax, not do any writing and try not to feel guilty about it. I’m also trying to remember a previous promise I made to myself about getting enough sleep, which I seem to fail at regularly. So, it’s a work in progress, like everything else it seems.

Good Comics – Part 1

I’ve been reading comics for so long, I sometimes forget how difficult it is, and how intimidating it can be, to walk into a comic shop, or browse in a book shop, or search online, and pick up a comic worth reading. Yes, it’s all subjective and what I think qualifies as a ‘good’ comic, other people might loathe and think is boring and dull. There are other opinions out there, but hey, it’s my website.

If you’re interesting in buying any comics, either from this list or anywhere else, please support your local comic shop. The Comic Shop Locator will help you find your nearest, and even if it is too far away to drive or walk, many will deliver comics to you through the post. Please support your local comic shop if at all possible. The website is for comic shops around the world.

Recommending the Wrong Thing
There are now so many comics out there, it can very hard to know where to start. Far too often when I hear that someone wants to get into comics people will point them towards classic superhero titles, the most well known stories which people may have heard about, such as Watchmen, or The Dark Knight Returns, which I think is a terrible idea. Because they’re complex stories, steeped in the genre and the mythology and history of comics, and in the case of DKR it’s steeped in decades of the character’s history. New readers can understand the stories, and they may enjoy them, but I think they will have far less of an emotional impact. Also, and most importantly, why always recommend superheroes?

Comics are a medium not a genre
Superheroes are just one genre. Comics are a medium. That’s worth repeating, because sometimes when I mention that I read comics people say, oh like The Beano and The Dandy (which are children’s comics) or comic strips (Garfield, Marmaduke, etc.), or they say like Spider-man. It’s the same as when someone says they read fantasy books and people say oh, you mean like Lord of the Rings, or now, the new touchstone is Game of Thrones. The attitude towards comics is changing, but every time I think we’re moving away from the stereotype of comics being one thing, a stranger comes out with the same old chestnut. Or they insist on saying graphic novel, as if comics are a dirty word and graphic novels are something completely different. Then I wince and realise we’re still decades away from more widespread understanding.

For every genre there is a comic book
If nothing else, please remember that there is a comic for every single genre you would find in a book shop. Every one, and many that blend genres together too. With all of that preamble out of the way, below is a short list of different comics from a range of genres. I’ve split them into Complete Series (which are finite stories available as several trade paperbacks or hardcover collections in some cases), and Ongoing Series. Also, this is only part one, as there are a lot of great comics available right now, so I will add to this list with other posts in the future.

Complete Series

Sleeper – An espionage story where a man named Holden Carver goes undercover in a dangerous international crime organisation, in an attempt to destroy it from the inside. Several people in the story have powers, but there are no capes and tights. These are dark, sometimes subtle and nasty powers, such as the ability to twist the mind, to confuse, or in Holden’s case, store up pain and then inflict it on others. To be clear, this is very much a crime and espionage comic, not a superhero comic. The main problem for Holden is that the only person who knows he was going deep under cover is now in a coma. All of his former friends and colleagues  think he has turned and is now a villain and terrorist. So the story is really about how far can he go, how much can he do, supposedly in the name of good, before he becomes evil? Is he just pretending that he doesn’t enjoy what he does and his new life? And is he just acting or does he really care about some of the people he now works beside every day? A brutal, adult story, full of twists and turns.

Y: The Last Man – One day Yorrick wakes up to find that every other male mammal and human male on the planet has died. This is an epic road trip and adventure story across a transformed modern day America where he, and a small group of friends, try to unravel the mystery, but also survive in this brave new world. All major industry has effectively ended and society has collapsed, and out of the ashes of the old world, new tribes are emerging. New ways of looking at the future and how to remake the world, but of course, everyone has different ideas. Also does it matter who you were in the old world when everything you knew is gone? Who is Yorrick  and why was he spared?

PreacherThis is the story about a man named Jesse Custer and his two friends, Tulip and Cassidy, an Irish vampire. Jesse has lost his faith in God and he wants answers. This is a very violent, very bloody, very wordy, road trip across modern day America. The writer is well known for over the top antics and this is full of extremes, but he doesn’t do it just to be naughty or to show off. Beneath the language and blood, there is a story about faith, friendship, honour, love, doing the right thing and family. During Jesse’s search they get into all sorts of trouble with serial killers, angels, demons, immortal killers and Jesse’s insane and very dangerous family. It’s over the top and wordy, a Tarantino film is probably the easiest shorthand description, but with a lot more substance and heart.

Ex-Machina – Mitchell Hundred is the newly elected Mayor of New York, but once he was a superhero known as The Great Machine. This is in our world, one without superheroes and this is not a superhero comic. It’s a political action story about modern society and trying to do the right thing in a world that is infinitely more complex than it used to be. Mitchell was an ordinary civil servant until something exploded when he was at work on the Hudson river. The device didn’t kill him, and was probably alien in origin, but it did change him. It made him able to speak to and control machines. As the Great Machine, he saved many people, but also realised his inadequacies and the limitations of being a superhero, as it was reactive and done one person at a time. This comic covers a whole host of hot topics from racism, to sexist, art, homophobia, the media, and it also looks at power and how it corrupts.

Sweet Tooth – Most of the world’s population has been wiped out by a terrible disease. No one knows the cause or why it happened. Since then, the only children being born are human animal hybrids, kids with tails, wings, feathers, or in the case of the story’s main character Gus, he has antlers. Gus is raised in seclusion by his very religious father, who has told him how evil and dangerous the world is outside. When Gus’s father succumbs to the disease Gus finds himself thrust into the new world. At the other extreme is Jepperd, a tough old man who seems born to survive in this post apocalyptic world. Jepperd and Gus make an unlikely pair, and what follows is a touching and sometimes harrowing story about living versus surviving. Beautifully drawn and written by Jeff Lemire, the last single issue has been published and the last trade paperback collection is out later this year. So technically it’s all a complete series.

Scalped – A gritty, crime and noir series set on a modern day Native American reservation. After years of living off the reservation, Dashiell Bad Horse comes home. The rez is awash with organised crime, drugs and gambling and Bad Horse has not come back to make friends. Minor spoiler, but it is very early on and critical to the story, he is actually an undercover FBI agent investigating a murder. While the very basic premise may sound slightly similar to Sleeper, this is a very very different comic. Sleeper is espionage and this is a straight crime comic. Bad Horse struggles to cope with the two sides of his life being together in one place, staying loyal to the Bureau, while also getting hip deep in rez politics. At times the rez feels like the wild west, as they have their own laws and operate in a bubble in some ways, and many of the characters and stories are tinged with despair. If you like gritty cop shows, shows like The Wire, where it’s full on but clearly going somewhere and not just for show, I’d recommend this.

Strangers in Paradise – This is one of my favourite comic book series ever, so I’m bias. However, I will try not to gush too much. This is best described as a slice of life story about an unorthodox love triangle, mixed with some crime aspects, but ultimately it’s a massive sprawling story about life and love. It’s a contemporary story set in the real world, with no magic or super powers, and the story focuses on two girls who meet in high school, one of who harbours a lot of secrets. As the story develops and with flashbacks to their time in school, we learn about Katina’s dark past, Francine’s daily struggles with her weight, finding a job she likes, and dealing with difficult men in her life. David is the third side of the triangle, and he loves Katina, but there again he is keeping secrets and he is far more than just an arty student type. It’s quite a complex story to describe without spoiling, but this is definitely an adult comic, exploring adult themes of sexuality, love, passion, crime, fear, family and pain. There are guns and the occasional murder, a crime syndicate, a plane crash, break-ups and tears, but mostly it is a story about three people. I say people rather than characters, because they are so well developed, both emotionally and physically. I don’t want this to sound like a bleak read, because it isn’t, and all of the dark is balanced with humour and comedy. As I say it is difficult to describe and this can be a bit of a marmite book for some people. Terry Moore wrote and drew the series and no one draws women like him. They look like real people. Fat, thin, tall and short, every character looks realistic. Overall, a remarkable book and it’s why I have a special print from the series on my study wall.

Bone – Back when self publishing comics was a radical and new idea, long before the internet opened up and digital, print on demand and web comics made it even easier to reach your audience, three men were creating comics. Terry Moore (Strangers in Paradise), Dave Sim (Cerebus) and Jeff Smith, writer and artist of Bone. Like all of them, Bone was originally printed in single issues but is now available in giant collections. This is an all ages comic full of wild, wacky and very inventive ideas, wonderful characters, and adventure. It’s about the journey of three little bald headed, cartoony characters through a fantastical world. It’s light, silly, and a refreshing and fun story. It has won numerous comic book awards and is very highly regarded.

Ongoing Series

Saga – An epic space opera with unusual spaceships, magic, bounty hunters, sex planets, giants, sentient planets, dinosaurs, and animal headed aliens. Two lovers, from different sides of a conflict, are tired of war, and trying to get out with their new born baby, who is loathed by many for being a cross-breed. This comic is for adults only due to the language, violence and other adult sexual content. It’s a huge tale that is gradually unfolding, and it is told from a very unique perspective, as the narrator is the child being born at the start of the first issue. The main story follows the girl’s parents as they try to escape and start a new life. A quick touchstone is Lord of the Rings meets Romeo and Juliet, although to me, it’s more like Star Wars meets Romeo and Juliet. The story is clearly influenced by many comics, films and TV from the SFF world and it’s a thrilling, interesting and exciting adventure where you have no idea what is going to happen next and what is around the next corner. There are no limits, each issue ends on a cliffhanger and you care about the main characters. One trade paperback is out now, plus you can get single issues or digital copies.

Chew – This is a story set in the modern world where a bird flu epidemic killed millions of people and this has resulted in the ban on all chicken and chicken like meat. Speak Easy diners sell black market chicken and the enforcement of the ban has resulted in the Food and Drug Administration FDA branch of the Government becoming incredibly powerful. Tony Chu is a cop who has an unusual talent, he is a cibopath, which means he gets psychic impressions of whatever he eats and know their history. So if he eats a burger, he will see the cow being cooked, then ground up, then killed, and so on all the way back to it grazing happily in the field. Everything he eats gives him the same mental imagery, except beets, so he eats them a lot. This is, in the most loose terms, a detective comic, but it is incredibly dark and with lots of black humour. It has lots of weird and wacky characters, as Tony’s ability is not the only one, and all of the other abilities are related to food in some way. Overall this is an incredibly funny comic but it is very odd and I admit, not to everyone’s taste.

The Sixth Gun – This is a mix of several genres where the sum is far greater than its parts. It’s a spooky and creepy horror western with supernatural elements, where six guns bestow unnatural powers on the people who wield them. For the longest time they were in the hands of some terrible people, with some fairly unpleasant results (I’m being fairly vague on purpose so I don’t spoil the fun!), but now they’re after the 6th gun and they want to find their leader, General Hume. At the beginning of the story it focuses on several groups trying to track and then retrieve the 6th Gun, which has now fallen into the hands of the heroine Becky. She and Drake Sinclair, a man with an unpleasant past trying to make amends, are thrown together as they try to outsmart and outmanoeuvre the dangerous group of killers on their heels. This story has touches of magic, ghosts, unnatural dark powers, legendary weapons steeped in a dark and twisted history, and bags and bags of fun. It’s bright, colour, explosive and a really great and exciting read. I love westerns, and the supernatural, and this is the perfect blend of the two. It’s not really suitable for kids, despite the style of art, and so far there are four trade paperback collections available. With each chapter the story and the world expands, but there is a resolution, so the writer is not just stringing you along. It’s one of the most unique and interesting comics I’ve read in quite a while.

Spider-Man – Miles Morales – I’m being careful about the number of superhero comics I put on this list, because the market is dominated by them, also it’s hard to know where to start sometimes when a comic has been going for decades, and as I said, they’re just one genre in the medium. However, if you want to read a Spider-Man comic then I would suggest you start with this one because it is fairly new and you can read it without knowing much about what came before. It is also suitable for younger readers, probably anyone ten and over I would say. I’ve put Miles Morales because this is about a new Spider-man called Miles. He is a modern kid and the story is set today, so he has the internet and a mobile phone and a whole set of new issues to deal with as a child growing up in the 21st century. It’s about a boy who is given great powers and how he copes with the responsibility that comes with them and what he chooses to do. It’s very refreshing as well because there is very little you need to know before picking this up and a quick internet search would fill in any blanks. The story plays with familiar archetypes for those who have read Spider-Man before, so there are lots of nice Easter eggs for us older readers, but you don’t need to know any of that to enjoy the series. A really entertaining, fresh and fun comic about a new hero in the making and the decisions he makes. There are several trade paperback collections available already.

Manhattan Projects – This series is written by Jonathan Hickman, who I think is one of the most interesting writers to have come into the comics industry in the last ten years. He has big ideas. I mean epic. He did a long run on the Fantastic Four that wrapped up last year that was one big story with lots of interlocking pieces. He’s doing the same sort of grand story on The Avengers right now, and he’s talked about in interviews how the idea he pitched was pretty big, and will unfold over several years. He also has a vivid imagination and this comic, and all of his other creator owned comics, demonstrate that fact. The story revolves around the idea that the term ‘Manhattan Project’ was actually an umbrella under which several weird and wonderful scientific experiments were being developed by leading scientists from all over the world. This story includes nasty and dark scientific ideas, touches of sci-fi, aliens and creating portals to other worlds and parallel dimensions, historic figures re-imagined and twisted slightly through a lens. It mixes small touches of fact with a lot of fiction, so at one point we see Einstein working on something that is far beyond what most people would assume. It is one of the most unpredictable comics I read and jammed full of strange ideas. If you like shows like Eureka and Fringe, where lots of different things are jammed together and strange geniuses are walking to the beat of their own drum, then this is for you. I like alternate history stories, or stories that suggest a secret history of the world that most people don’t know about, and this is both of those really. It’s a lot fun and two trade paperback are available.

All Star Western – A self explanatory title. It’s focuses on different characters in a western setting, and although technically it is a DC comic, don’t expect any superheroes or people with super powers. There are amusing Easter eggs, such as famous names that will later come to mean something in 200 years time in DC comics continuity, like Arkham, but these are proper, down and dirty, six gun, stories of crime, passion, greed, lust, envy, hatred and bravery. Some of the characters don’t talk about their feelings, they shoot them in the street and move on. They have goals and objectives and the law can only do so much in a country so big, so people turn to those on the edges of the law, bounty hunters and men of action with a conscience. The story focus on Jonah Hex, a scarred and famous bounty hunter and man with iron principles, and the back up stories have other characters. A really solid western comic, and if you enjoy the Hex stories and want more of him, then you can dig out lots of Jonah Hex trade paperbacks.

Morning Glories – Six very different and exemplary students are chosen to attend the prestigious Morning Glories academy. They’re known for being excellent and all are delighted by this opportunity, until on the first day one of the teachers tries to drown everyone. This story is a giant mystery and a huge puzzle box that is slowly being unravelled. I’m delighted to say the writer knows how it ends and where the story is going. He is not doing a Lost, and has explicitly said this in interviews. None of the students remember how they arrived at the school as they were unconscious, so no one knows where it is. After several attempts on their lives, often at the hands of teachers but sometimes other students, they begin to realise they’re being tested and challenged for some greater purpose. The story involves ghostly apparitions, time travel (maybe), conspiracies, cults, and a whole host of other elements I won’t spoil. If you like mysteries, and complex intriguing stories, if you like TV shows like The Prisoner, with people trapped and having their strings pulled, then I would definitely recommend Morning Glories. Three trade paperbacks are currently available. Definitely an adult story for adult readers, despite having teen protagonists.

Elephantmen – In a distant future, a twisted and deranged scientist, working for a powerful corporation, created some human / animal hybrids using African animals. These bulky and incredibly dangerous children are trained from birth to be soldiers and brutal killers, denied freedom of thought and essentially brainwashed into believing they are unkillable machines. When the UN discovers what has been going on the programme is shut down, but not before the Elephantmen inflict heavily casualties. They are released, given independence and they try to live normal lives. Some of them are loathed, some become celebrities, some powerful businessmen, some just want to disappear and some can’t shake off their past and they become dangerous criminals and rulers of the underworld. This comic has a real Blade Runner vibe to it, as when you look at the art there is a lot of dark shadows, bright neon lights and signs, and a blending of many modern and historic elements to create a future that is a mix of many cultures. The story focuses on different characters, including Hip Flask, a hippo hybrid who is a private eye, Ebenezer Hide, who is an Elephantman, who works with Hip from time to time, and Obadiah Horn a rhino hybrid who is now a successful businessman. The artwork in this book is simply amazing, gorgeous painted covers by Ladronne, and the colours are so important. The stories are a mix of genres, but ultimately about these unusual and rather remarkable outsiders who are trying to find a place in the world. An incredible and unique comic book. Five big trades are currently available.

Well done if you’ve made it this far. This post turned out to be much longer than anticipated. I’m going to do this again at some point, but if you would like me to recommend comics from a particular genre, then let me know in the comments section.

Eastercon Report

Eastercon is done for another year. This was my second year at the event and despite only being there for only a couple of days due to family commitments, I had an excellent time and met some wonderful people.

So I attended on Friday and Saturday, took part in one comics related panel on Friday night, where a panel and I recommended some of our favourite comics to demonstrate the diversity of the medium. On the panel were Alys Sterling, CE Murphy, and David Tallerman. Despite the timing of the panel it was fairly well attended and there was a good spread of comics. My recommendations were Sweet Tooth by Jeff Lemire from Vertigo comics, Sleeper by Ed Brubaker and Sean Philips from Wildstorm, Chew from John Layman and Rob Guillory and Rachel Rising by Terry Moore. I took a little perverse pleasure from the expressions in the crowd whilst describing Chew and I think it was the one title that generated the most questions. After that I could relax and I spent the first evening relaxing in the bar and taking it fairly easy as there was another long day ahead. The snow is still stubbornly sticking to the pavements and piles of it lie around being obstanate, but thankfully the weather did not have any adverse effects on travel to the event.

Earlier in the day on Friday, I also attended two talks where my friend and all round good egg, Adrian Faulker, was a panelist. The first was Games in Fiction, which was interesting, however, because there was another panel on a very similar subject on Saturday, it meant the area of discussion was very narrow so it sort of trundled along. The second panel was probably one of my favourites of the weekend, Debut Authors’ Panel, where Bella Pagan from Tor UK moderated a diverse group of new writers. The panelists included Adrian Faulkner, Emma Newman, Francis Knight, Naomi Foyle and Stephanie Saulter. It was a great panel and each author had a very different story to tell about how they went from aspiring writer to being an author in print. Bella Pagan was an excellent moderator, including everyone, keeping the conversation going and it was also a lot of fun.

Debut Author panel

On Friday I also attended a Clarion Publishing launch in the frosty conservatory and later met up with head honcho, Colin Tate, whom I met at Eastercon last year. This sort of event is always great for catching up with people who I normally only see once or twice a year. At the bar (big surprise!) I also caught up with and chatted to Andrew Reid, Mike Shevdon, Anne Lyle and Ruth Booth. I was also introduced to Gillian Redfearn, of the mighty red pen, at Gollancz. I’m sure I’ve missed someone and am now feeling guilty. It will come to me!

I’m still getting over a nasty bout of man flu that is clinging to my chest, so as well as a cough I also lost my voice in the latter part of my panel. Thankfully I only had one panel, so I called it a night fairly early on Friday and gracefully skated to my car across the ice. Well, what actually happened was I rushed towards my car, slipped on the ice, nearly did the splits, and yet managed to stay upright due to waving my arms about. I took it as a sign that it was definitely time to call it a night.

Saturday went a lot more smoothly. With my voice varying between a squeak and a Barry White’s imitator, I watched several panels including Reinventing Urban Fantasy. This was probably my favourite panel of the weekend. All of the panelists were really engaging, there was a lot of back and forth between them and the time just flew by. They discussed magic, tropes and archetypes in fantasy, Harry Potter, their favourite authors and all sorts of other stuff. It could easily have continued for another hour without anyone noticing.

urban fantasy

Edit: other stuff I forgot to add the first time I posted this. I also attended an excellent reading by Gareth L. Powell, who read from his second Ack Ack Macaque book, and Stephanie Saulter, who read from Gemsigns. Adrian and I visited the art gallery and we were both transfixed by the amazing paintings of Guest of Honour, Anne Sudworth. I’m notoriously picky about art and I know what I like and don’t like. Her landscapes were gorgeous, rich, vibrant and quite remarkable. While an original is out of my price range, a framed print is not and I shall be investing.

Later that evening, whilst everyone was watching Doctor Who in the main hall or were drinking at the bar, a few friends and I snuck off to the secret American style diner for dinner. When we got back we had more drinks and spent time chatting to new and old friends including CE Murphy, Adrian Faulkner, Mike Shevdon and comedian and master magician John Lenahan, who later entertained everyone in the main hall. His act was so funny my sides ached and everyone came away with a smile on their face. After that I spent the rest of the evening chatting with people in the bar and it was a wonderfully relaxing end to my Eastercon weekend. From seeing a few other posts, and from listening to feedback from other people, it seems as if they also had a great event. I’m really looking forward to the next one and also to the next big event on my calendar which is World Fantasy Con in Brighton.