We’ve got one!

we got oneI’m delighted to say that I now have an agent. I am represented by Juliet Mushens of The Agency Group. That’s the short version for those who want to skip to the end.

It’s taken a long, long time to get here. I’m still trying to process it and also work out how long, but probably about 15 years. The fantasy novel that was picked up by Juliet is not my first, or second, or third, or fourth. So, that’s a lot of years of writing, a lot of rejections after carefully studying the Writers and Artists handbook, a lot of going to industry events, writers weekends, spending time on writing websites, forums, reviewing other people’s work, a lot of listening to stories and advice at event panels, making notes, countless nights of staying up very late to work on ‘the novel’. A lot of sacrifices. A lot of turning off the computer game, or TV, to make myself put my bum in the chair and hit the keyboard. I didn’t always do that of course. Some nights I was just too tired after work, or too fed up, or too annoyed and I kept playing and ignored the novel. But I always came back to it, and even when I realised it was time to shelve that novel and try something else, I kept trying and hopefully kept learning. There was absolutely no guarantee that I would succeed, but I had to try because it is something I’ve wanted for a long time. When people talk about me, stubborn doesn’t even nearly cover it.

Speaking of other people, I couldn’t have made it this far without the support, encouragement of many people, friends and family, who always believed in me, even when I didn’t.

This is definitely not the end of the road, just a big step forward, and I’m also very aware that there is still a lot of work ahead, but now I’m actually on the right road. So I’m delighted to be represented by Juliet, who also represents a few friends I’ve met over the years at the conventions, including Lou Morgan, Laura Lam and Andrew Reid.

Right, time to get editing. More news when I have it, but expect sporadic random posts in the meantime about stuff, films, TV, comics etc.

My Workspace

This post, and other related posts that will probably be forthcoming by Laura Lam, Jennifer Williams, and by Lou Morgan was inspired by a tweet Laura made about finally getting herself a shiny new desk.

I’m always curious to see other people’s creative workspace and what they surround themselves with to help them write or focus, or maybe it’s stuff they have to hand. I wonder if they have posters or inspirational quotes on the wall, what books they have on hand for reference, or toys, or a whole bunch of other things I’m sure I can’t imagine.

Below is a picture of my desk and below that a quick guide to some of the junk on my desk and why it’s there, plus what is just out of sight. Quick mention about the desk itself, it’s massive and it’s totally plain, but it’s one I’ve always wanted, so I have everything I want right there, to hand, and it’s perfect for someone like me with long legs.

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From left to right moving anti clockwise around the desk :-

1 – My pop shield, for recording podcasts. Headphones for the same and also for listening to music and podcasts, which are vital for long daily commutes for the day job.
2- Post it Notes. I’ve now started using digital ones on my phone when I’m out and about, for ideas, or to remember things I need to buy, but sometimes physical ones come in handy.
3 – Current Work in Progress. I’m doing yet another edit, going through it, line by line, with the red pen.
4 – Glass bowl. Currently empty, but normally it has chocolate it in to keep me going. Vital for any creative person. Well, that’s my excuse and I’m sticking to it.
5 – Soundtracks plus other CDs. I’ve transferred most onto my PC, but sometimes I add new CDs, or buy new stuff and it stacks up there. I usually write with music to help get me into the right headspace. Not to set the mood, but just to help me focus.
6 – iPad. I’ve only had one of these for about a year, and it was a gift, otherwise I wouldn’t have bought one. I’m actually surprised to say I use it quite a lot for bits and pieces, reading digital comics, watching the news from the BBC with breakfast, social media stuff and so on.
7 – Just under the iPad is my current, must read comics. There are about 3 trades under there. Just to the right, off screen, is a stack of another ten trades that I then gradually move up to my desk when those are gone. To the far right, is a set of shelves full of comic trade paperbacks and hardback comics.
8 – On top of the printer, the big golden book. A recent birthday present, the Golden Age of DC Comics – 1939 to 1956, which details the history of DC comics during that period and it covers several of their characters during that time including, Superman, Batman, Wonder Woman, Green Lantern (Alan Scott, not Hal Jordan or any of the other modern Lanterns), The Flash (again the original one – Jay Garrick), Robin, Plastic Man and Hawkman. A cracking good read to dip in and out of for a lifelong DC comics fan like me.
9 – My trusty laser printer, when I just have to print stuff out and see a physical copy so all of the things that need fixing are suddenly so easy to see.
10 – Beside the printer. A couple of reference books – Eats, Shoots and Leaves, a guide to punctuation. Also a copy of Collins Thesaurus when I need something different, but not totally obscure.

I don’t actually have any inspirational words or poems on the wall, but I do have several comic book prints, two by a favourite comic book artist and writer, Terry Moore, two movie prints, from Rocky Balboa and The Green Mile (both favourite films of mine) and several other bits and pieces making it completely my space. The rest of the room is full of books to read and my to read pile is pretty hideous at the moment. I’ve actually banned myself from buying any new books for a while, but we’ll see how long that lasts.

So, that’s my work space, what do you have in yours and why? If you post one of these, please link it back to the others so we can keep the chain going.

Free Comic Book Day – May 4th

The first Saturday in May every year is Free Comic Book Day, and it means exactly what you think. Every participating comic book shop orders a bunch of specially produced comics for this particular weekend and anyone is allowed to come in and pick up some of them for free. Now obviously people have to be sensible, and can’t just grab ten copies of everything, plus the free comics cover every sort of genre and age group, which is done on purpose, as they’re designed to attract new readers from across the spectrum.

What I often notice at my local shop, and has become clear from quickly perusing the list of comics this year (which you can preview here), is that there are a lot of comics for kids. I think that’s a brilliant thing and the industry needs to attract lots and lots of new, young readers. Because in 30 years time, they will be the evangelists keeping the industry alive, writing and drawing the comics, and making as much noise as possible to attract a new generation of readers and creators. Comics are doing well at the moment, the monthly numbers are up compared to a couple of years ago, but they’re not as impressive as I’d hope. I think part of this is because comics have become a transmedia phenomenon, and some young people come across and then follow comic book characters without actually reading the comics. They play the computer games, watch the cartoons and TV shows, and of course a quick look at the top grossing films at the cinema will show you, they also watch the films and buy the DVDs. But how many of them then find their way to their local comic shop, or now, buy a digital comic on their tablet or phone featuring the same character?

From speaking to both of my local comic shops I know that every year they do very well from Free Comic Book Day, because people pop along for the free stuff, and then browse the shelves and pick up other titles that catch their interest. This makes it worth them buying and paying for the free comics which they then give away to new customers. I usually tend to avoid visiting my local shops on Free Comic Book Day because they’ve already got me, they don’t need to convince me to come back, and they’re rammed with people.

Looking down the list of Free Comics, my top picks would be, Atomic Robo and Friends, Grimm, Mouse Guard, and The Tick. There are so many others

As ever, I’m always happy to recommend comics, from any genre, so if you want to start reading comics, but don’t know where to start, get in touch.

 

Projects update April 2013

Just a quick update on current projects. The day job has been keeping me busy, but I’ve been chipping away on the creative endeavours which fuel me.

Sadly, it looks as if Empyre is dead. For now at least. We submitted it to a few comic publishers, one of which didn’t bother to respond at all, so after several months we sent it to a different one. An editor got back in touch with us, told us it was too similar to lots of other comics out there, and he thought the art was good, but not great. I disagree completely, and despite his modesty, I think Adam’s art is excellent, especially when I’ve looked back at the original pages he did a couple of years ago. He’s progressed significantly since then and he is a really good artist. As to the comic being too similar to others out there, well, I can’t find any, but perhaps they’re in the works now and will come out soon. Anyway, my disagreements don’t really matter as they don’t want it. So, we talked about self publishing, we discussed other options and decided to leave it for now and maybe come back to it. So in the meantime we’re currently thrashing some out some new ideas together, and Adam, Ryan and I will start work on something new very soon.

Flux is pretty much ready to submit to a publisher. We had to make some changes to the first few pages of art, due to external complications, so that required a rewrite and then Maysam rejigging and redrawing parts. However, that’s all done, we’re tweaking the submission document and then it can be sent off.

I also want to move forward with a digital comic idea I’ve been knocking around. The whole script is done, I just need to find an artist now with the right style and then get it moving.

On the novel front, I’ve been delaying the inevitable. I’ve been revising it, and editing it, polishing it and then polishing it again. I’m currently working my way through another polish, this time by printing it all out on paper in a different font to normal, and marking it up with a red pen. It’s slow going and I’m taking my time and trying not to rush it, but I also think I’m now just stalling. Once this latest draft is done, I’m going to submit it to the first agent on my list. This will be some time in May by the time I’m done with the red pen. I’ve very carefully drawn up a list of agents, listened to a lot of the #askagent Q and A sessions on twitter, done my homework on other authors and who they are represented by, and I’ve listened to a few agents at events. Feedback from beta readers has been positive, and I’m looking carefully at their comments, but now it’s really all up to me.

So, it’s almost time to cross my fingers, close my eyes, and hit Send.

Once it goes off, I will move forward on book 2, which I’ve actually started and have gone over the first chapter eight times already. Normally I keep moving forward, then come back and revise, but I’m being a little bit more careful this time. I suspect once in find my rhythm again it will become easier but I’m a bit rusty.

I’m still remembering to take the odd day off, relax, not do any writing and try not to feel guilty about it. I’m also trying to remember a previous promise I made to myself about getting enough sleep, which I seem to fail at regularly. So, it’s a work in progress, like everything else it seems.

Good Comics – Part 1

I’ve been reading comics for so long, I sometimes forget how difficult it is, and how intimidating it can be, to walk into a comic shop, or browse in a book shop, or search online, and pick up a comic worth reading. Yes, it’s all subjective and what I think qualifies as a ‘good’ comic, other people might loathe and think is boring and dull. There are other opinions out there, but hey, it’s my website.

If you’re interesting in buying any comics, either from this list or anywhere else, please support your local comic shop. The Comic Shop Locator will help you find your nearest, and even if it is too far away to drive or walk, many will deliver comics to you through the post. Please support your local comic shop if at all possible. The website is for comic shops around the world.

Recommending the Wrong Thing
There are now so many comics out there, it can very hard to know where to start. Far too often when I hear that someone wants to get into comics people will point them towards classic superhero titles, the most well known stories which people may have heard about, such as Watchmen, or The Dark Knight Returns, which I think is a terrible idea. Because they’re complex stories, steeped in the genre and the mythology and history of comics, and in the case of DKR it’s steeped in decades of the character’s history. New readers can understand the stories, and they may enjoy them, but I think they will have far less of an emotional impact. Also, and most importantly, why always recommend superheroes?

Comics are a medium not a genre
Superheroes are just one genre. Comics are a medium. That’s worth repeating, because sometimes when I mention that I read comics people say, oh like The Beano and The Dandy (which are children’s comics) or comic strips (Garfield, Marmaduke, etc.), or they say like Spider-man. It’s the same as when someone says they read fantasy books and people say oh, you mean like Lord of the Rings, or now, the new touchstone is Game of Thrones. The attitude towards comics is changing, but every time I think we’re moving away from the stereotype of comics being one thing, a stranger comes out with the same old chestnut. Or they insist on saying graphic novel, as if comics are a dirty word and graphic novels are something completely different. Then I wince and realise we’re still decades away from more widespread understanding.

For every genre there is a comic book
If nothing else, please remember that there is a comic for every single genre you would find in a book shop. Every one, and many that blend genres together too. With all of that preamble out of the way, below is a short list of different comics from a range of genres. I’ve split them into Complete Series (which are finite stories available as several trade paperbacks or hardcover collections in some cases), and Ongoing Series. Also, this is only part one, as there are a lot of great comics available right now, so I will add to this list with other posts in the future.

Complete Series

Sleeper – An espionage story where a man named Holden Carver goes undercover in a dangerous international crime organisation, in an attempt to destroy it from the inside. Several people in the story have powers, but there are no capes and tights. These are dark, sometimes subtle and nasty powers, such as the ability to twist the mind, to confuse, or in Holden’s case, store up pain and then inflict it on others. To be clear, this is very much a crime and espionage comic, not a superhero comic. The main problem for Holden is that the only person who knows he was going deep under cover is now in a coma. All of his former friends and colleagues  think he has turned and is now a villain and terrorist. So the story is really about how far can he go, how much can he do, supposedly in the name of good, before he becomes evil? Is he just pretending that he doesn’t enjoy what he does and his new life? And is he just acting or does he really care about some of the people he now works beside every day? A brutal, adult story, full of twists and turns.

Y: The Last Man – One day Yorrick wakes up to find that every other male mammal and human male on the planet has died. This is an epic road trip and adventure story across a transformed modern day America where he, and a small group of friends, try to unravel the mystery, but also survive in this brave new world. All major industry has effectively ended and society has collapsed, and out of the ashes of the old world, new tribes are emerging. New ways of looking at the future and how to remake the world, but of course, everyone has different ideas. Also does it matter who you were in the old world when everything you knew is gone? Who is Yorrick  and why was he spared?

PreacherThis is the story about a man named Jesse Custer and his two friends, Tulip and Cassidy, an Irish vampire. Jesse has lost his faith in God and he wants answers. This is a very violent, very bloody, very wordy, road trip across modern day America. The writer is well known for over the top antics and this is full of extremes, but he doesn’t do it just to be naughty or to show off. Beneath the language and blood, there is a story about faith, friendship, honour, love, doing the right thing and family. During Jesse’s search they get into all sorts of trouble with serial killers, angels, demons, immortal killers and Jesse’s insane and very dangerous family. It’s over the top and wordy, a Tarantino film is probably the easiest shorthand description, but with a lot more substance and heart.

Ex-Machina – Mitchell Hundred is the newly elected Mayor of New York, but once he was a superhero known as The Great Machine. This is in our world, one without superheroes and this is not a superhero comic. It’s a political action story about modern society and trying to do the right thing in a world that is infinitely more complex than it used to be. Mitchell was an ordinary civil servant until something exploded when he was at work on the Hudson river. The device didn’t kill him, and was probably alien in origin, but it did change him. It made him able to speak to and control machines. As the Great Machine, he saved many people, but also realised his inadequacies and the limitations of being a superhero, as it was reactive and done one person at a time. This comic covers a whole host of hot topics from racism, to sexist, art, homophobia, the media, and it also looks at power and how it corrupts.

Sweet Tooth – Most of the world’s population has been wiped out by a terrible disease. No one knows the cause or why it happened. Since then, the only children being born are human animal hybrids, kids with tails, wings, feathers, or in the case of the story’s main character Gus, he has antlers. Gus is raised in seclusion by his very religious father, who has told him how evil and dangerous the world is outside. When Gus’s father succumbs to the disease Gus finds himself thrust into the new world. At the other extreme is Jepperd, a tough old man who seems born to survive in this post apocalyptic world. Jepperd and Gus make an unlikely pair, and what follows is a touching and sometimes harrowing story about living versus surviving. Beautifully drawn and written by Jeff Lemire, the last single issue has been published and the last trade paperback collection is out later this year. So technically it’s all a complete series.

Scalped – A gritty, crime and noir series set on a modern day Native American reservation. After years of living off the reservation, Dashiell Bad Horse comes home. The rez is awash with organised crime, drugs and gambling and Bad Horse has not come back to make friends. Minor spoiler, but it is very early on and critical to the story, he is actually an undercover FBI agent investigating a murder. While the very basic premise may sound slightly similar to Sleeper, this is a very very different comic. Sleeper is espionage and this is a straight crime comic. Bad Horse struggles to cope with the two sides of his life being together in one place, staying loyal to the Bureau, while also getting hip deep in rez politics. At times the rez feels like the wild west, as they have their own laws and operate in a bubble in some ways, and many of the characters and stories are tinged with despair. If you like gritty cop shows, shows like The Wire, where it’s full on but clearly going somewhere and not just for show, I’d recommend this.

Strangers in Paradise – This is one of my favourite comic book series ever, so I’m bias. However, I will try not to gush too much. This is best described as a slice of life story about an unorthodox love triangle, mixed with some crime aspects, but ultimately it’s a massive sprawling story about life and love. It’s a contemporary story set in the real world, with no magic or super powers, and the story focuses on two girls who meet in high school, one of who harbours a lot of secrets. As the story develops and with flashbacks to their time in school, we learn about Katina’s dark past, Francine’s daily struggles with her weight, finding a job she likes, and dealing with difficult men in her life. David is the third side of the triangle, and he loves Katina, but there again he is keeping secrets and he is far more than just an arty student type. It’s quite a complex story to describe without spoiling, but this is definitely an adult comic, exploring adult themes of sexuality, love, passion, crime, fear, family and pain. There are guns and the occasional murder, a crime syndicate, a plane crash, break-ups and tears, but mostly it is a story about three people. I say people rather than characters, because they are so well developed, both emotionally and physically. I don’t want this to sound like a bleak read, because it isn’t, and all of the dark is balanced with humour and comedy. As I say it is difficult to describe and this can be a bit of a marmite book for some people. Terry Moore wrote and drew the series and no one draws women like him. They look like real people. Fat, thin, tall and short, every character looks realistic. Overall, a remarkable book and it’s why I have a special print from the series on my study wall.

Bone – Back when self publishing comics was a radical and new idea, long before the internet opened up and digital, print on demand and web comics made it even easier to reach your audience, three men were creating comics. Terry Moore (Strangers in Paradise), Dave Sim (Cerebus) and Jeff Smith, writer and artist of Bone. Like all of them, Bone was originally printed in single issues but is now available in giant collections. This is an all ages comic full of wild, wacky and very inventive ideas, wonderful characters, and adventure. It’s about the journey of three little bald headed, cartoony characters through a fantastical world. It’s light, silly, and a refreshing and fun story. It has won numerous comic book awards and is very highly regarded.

Ongoing Series

Saga – An epic space opera with unusual spaceships, magic, bounty hunters, sex planets, giants, sentient planets, dinosaurs, and animal headed aliens. Two lovers, from different sides of a conflict, are tired of war, and trying to get out with their new born baby, who is loathed by many for being a cross-breed. This comic is for adults only due to the language, violence and other adult sexual content. It’s a huge tale that is gradually unfolding, and it is told from a very unique perspective, as the narrator is the child being born at the start of the first issue. The main story follows the girl’s parents as they try to escape and start a new life. A quick touchstone is Lord of the Rings meets Romeo and Juliet, although to me, it’s more like Star Wars meets Romeo and Juliet. The story is clearly influenced by many comics, films and TV from the SFF world and it’s a thrilling, interesting and exciting adventure where you have no idea what is going to happen next and what is around the next corner. There are no limits, each issue ends on a cliffhanger and you care about the main characters. One trade paperback is out now, plus you can get single issues or digital copies.

Chew – This is a story set in the modern world where a bird flu epidemic killed millions of people and this has resulted in the ban on all chicken and chicken like meat. Speak Easy diners sell black market chicken and the enforcement of the ban has resulted in the Food and Drug Administration FDA branch of the Government becoming incredibly powerful. Tony Chu is a cop who has an unusual talent, he is a cibopath, which means he gets psychic impressions of whatever he eats and know their history. So if he eats a burger, he will see the cow being cooked, then ground up, then killed, and so on all the way back to it grazing happily in the field. Everything he eats gives him the same mental imagery, except beets, so he eats them a lot. This is, in the most loose terms, a detective comic, but it is incredibly dark and with lots of black humour. It has lots of weird and wacky characters, as Tony’s ability is not the only one, and all of the other abilities are related to food in some way. Overall this is an incredibly funny comic but it is very odd and I admit, not to everyone’s taste.

The Sixth Gun – This is a mix of several genres where the sum is far greater than its parts. It’s a spooky and creepy horror western with supernatural elements, where six guns bestow unnatural powers on the people who wield them. For the longest time they were in the hands of some terrible people, with some fairly unpleasant results (I’m being fairly vague on purpose so I don’t spoil the fun!), but now they’re after the 6th gun and they want to find their leader, General Hume. At the beginning of the story it focuses on several groups trying to track and then retrieve the 6th Gun, which has now fallen into the hands of the heroine Becky. She and Drake Sinclair, a man with an unpleasant past trying to make amends, are thrown together as they try to outsmart and outmanoeuvre the dangerous group of killers on their heels. This story has touches of magic, ghosts, unnatural dark powers, legendary weapons steeped in a dark and twisted history, and bags and bags of fun. It’s bright, colour, explosive and a really great and exciting read. I love westerns, and the supernatural, and this is the perfect blend of the two. It’s not really suitable for kids, despite the style of art, and so far there are four trade paperback collections available. With each chapter the story and the world expands, but there is a resolution, so the writer is not just stringing you along. It’s one of the most unique and interesting comics I’ve read in quite a while.

Spider-Man – Miles Morales – I’m being careful about the number of superhero comics I put on this list, because the market is dominated by them, also it’s hard to know where to start sometimes when a comic has been going for decades, and as I said, they’re just one genre in the medium. However, if you want to read a Spider-Man comic then I would suggest you start with this one because it is fairly new and you can read it without knowing much about what came before. It is also suitable for younger readers, probably anyone ten and over I would say. I’ve put Miles Morales because this is about a new Spider-man called Miles. He is a modern kid and the story is set today, so he has the internet and a mobile phone and a whole set of new issues to deal with as a child growing up in the 21st century. It’s about a boy who is given great powers and how he copes with the responsibility that comes with them and what he chooses to do. It’s very refreshing as well because there is very little you need to know before picking this up and a quick internet search would fill in any blanks. The story plays with familiar archetypes for those who have read Spider-Man before, so there are lots of nice Easter eggs for us older readers, but you don’t need to know any of that to enjoy the series. A really entertaining, fresh and fun comic about a new hero in the making and the decisions he makes. There are several trade paperback collections available already.

Manhattan Projects – This series is written by Jonathan Hickman, who I think is one of the most interesting writers to have come into the comics industry in the last ten years. He has big ideas. I mean epic. He did a long run on the Fantastic Four that wrapped up last year that was one big story with lots of interlocking pieces. He’s doing the same sort of grand story on The Avengers right now, and he’s talked about in interviews how the idea he pitched was pretty big, and will unfold over several years. He also has a vivid imagination and this comic, and all of his other creator owned comics, demonstrate that fact. The story revolves around the idea that the term ‘Manhattan Project’ was actually an umbrella under which several weird and wonderful scientific experiments were being developed by leading scientists from all over the world. This story includes nasty and dark scientific ideas, touches of sci-fi, aliens and creating portals to other worlds and parallel dimensions, historic figures re-imagined and twisted slightly through a lens. It mixes small touches of fact with a lot of fiction, so at one point we see Einstein working on something that is far beyond what most people would assume. It is one of the most unpredictable comics I read and jammed full of strange ideas. If you like shows like Eureka and Fringe, where lots of different things are jammed together and strange geniuses are walking to the beat of their own drum, then this is for you. I like alternate history stories, or stories that suggest a secret history of the world that most people don’t know about, and this is both of those really. It’s a lot fun and two trade paperback are available.

All Star Western – A self explanatory title. It’s focuses on different characters in a western setting, and although technically it is a DC comic, don’t expect any superheroes or people with super powers. There are amusing Easter eggs, such as famous names that will later come to mean something in 200 years time in DC comics continuity, like Arkham, but these are proper, down and dirty, six gun, stories of crime, passion, greed, lust, envy, hatred and bravery. Some of the characters don’t talk about their feelings, they shoot them in the street and move on. They have goals and objectives and the law can only do so much in a country so big, so people turn to those on the edges of the law, bounty hunters and men of action with a conscience. The story focus on Jonah Hex, a scarred and famous bounty hunter and man with iron principles, and the back up stories have other characters. A really solid western comic, and if you enjoy the Hex stories and want more of him, then you can dig out lots of Jonah Hex trade paperbacks.

Morning Glories – Six very different and exemplary students are chosen to attend the prestigious Morning Glories academy. They’re known for being excellent and all are delighted by this opportunity, until on the first day one of the teachers tries to drown everyone. This story is a giant mystery and a huge puzzle box that is slowly being unravelled. I’m delighted to say the writer knows how it ends and where the story is going. He is not doing a Lost, and has explicitly said this in interviews. None of the students remember how they arrived at the school as they were unconscious, so no one knows where it is. After several attempts on their lives, often at the hands of teachers but sometimes other students, they begin to realise they’re being tested and challenged for some greater purpose. The story involves ghostly apparitions, time travel (maybe), conspiracies, cults, and a whole host of other elements I won’t spoil. If you like mysteries, and complex intriguing stories, if you like TV shows like The Prisoner, with people trapped and having their strings pulled, then I would definitely recommend Morning Glories. Three trade paperbacks are currently available. Definitely an adult story for adult readers, despite having teen protagonists.

Elephantmen – In a distant future, a twisted and deranged scientist, working for a powerful corporation, created some human / animal hybrids using African animals. These bulky and incredibly dangerous children are trained from birth to be soldiers and brutal killers, denied freedom of thought and essentially brainwashed into believing they are unkillable machines. When the UN discovers what has been going on the programme is shut down, but not before the Elephantmen inflict heavily casualties. They are released, given independence and they try to live normal lives. Some of them are loathed, some become celebrities, some powerful businessmen, some just want to disappear and some can’t shake off their past and they become dangerous criminals and rulers of the underworld. This comic has a real Blade Runner vibe to it, as when you look at the art there is a lot of dark shadows, bright neon lights and signs, and a blending of many modern and historic elements to create a future that is a mix of many cultures. The story focuses on different characters, including Hip Flask, a hippo hybrid who is a private eye, Ebenezer Hide, who is an Elephantman, who works with Hip from time to time, and Obadiah Horn a rhino hybrid who is now a successful businessman. The artwork in this book is simply amazing, gorgeous painted covers by Ladronne, and the colours are so important. The stories are a mix of genres, but ultimately about these unusual and rather remarkable outsiders who are trying to find a place in the world. An incredible and unique comic book. Five big trades are currently available.

Well done if you’ve made it this far. This post turned out to be much longer than anticipated. I’m going to do this again at some point, but if you would like me to recommend comics from a particular genre, then let me know in the comments section.

Eastercon Report

Eastercon is done for another year. This was my second year at the event and despite only being there for only a couple of days due to family commitments, I had an excellent time and met some wonderful people.

So I attended on Friday and Saturday, took part in one comics related panel on Friday night, where a panel and I recommended some of our favourite comics to demonstrate the diversity of the medium. On the panel were Alys Sterling, CE Murphy, and David Tallerman. Despite the timing of the panel it was fairly well attended and there was a good spread of comics. My recommendations were Sweet Tooth by Jeff Lemire from Vertigo comics, Sleeper by Ed Brubaker and Sean Philips from Wildstorm, Chew from John Layman and Rob Guillory and Rachel Rising by Terry Moore. I took a little perverse pleasure from the expressions in the crowd whilst describing Chew and I think it was the one title that generated the most questions. After that I could relax and I spent the first evening relaxing in the bar and taking it fairly easy as there was another long day ahead. The snow is still stubbornly sticking to the pavements and piles of it lie around being obstanate, but thankfully the weather did not have any adverse effects on travel to the event.

Earlier in the day on Friday, I also attended two talks where my friend and all round good egg, Adrian Faulker, was a panelist. The first was Games in Fiction, which was interesting, however, because there was another panel on a very similar subject on Saturday, it meant the area of discussion was very narrow so it sort of trundled along. The second panel was probably one of my favourites of the weekend, Debut Authors’ Panel, where Bella Pagan from Tor UK moderated a diverse group of new writers. The panelists included Adrian Faulkner, Emma Newman, Francis Knight, Naomi Foyle and Stephanie Saulter. It was a great panel and each author had a very different story to tell about how they went from aspiring writer to being an author in print. Bella Pagan was an excellent moderator, including everyone, keeping the conversation going and it was also a lot of fun.

Debut Author panel

On Friday I also attended a Clarion Publishing launch in the frosty conservatory and later met up with head honcho, Colin Tate, whom I met at Eastercon last year. This sort of event is always great for catching up with people who I normally only see once or twice a year. At the bar (big surprise!) I also caught up with and chatted to Andrew Reid, Mike Shevdon, Anne Lyle and Ruth Booth. I was also introduced to Gillian Redfearn, of the mighty red pen, at Gollancz. I’m sure I’ve missed someone and am now feeling guilty. It will come to me!

I’m still getting over a nasty bout of man flu that is clinging to my chest, so as well as a cough I also lost my voice in the latter part of my panel. Thankfully I only had one panel, so I called it a night fairly early on Friday and gracefully skated to my car across the ice. Well, what actually happened was I rushed towards my car, slipped on the ice, nearly did the splits, and yet managed to stay upright due to waving my arms about. I took it as a sign that it was definitely time to call it a night.

Saturday went a lot more smoothly. With my voice varying between a squeak and a Barry White’s imitator, I watched several panels including Reinventing Urban Fantasy. This was probably my favourite panel of the weekend. All of the panelists were really engaging, there was a lot of back and forth between them and the time just flew by. They discussed magic, tropes and archetypes in fantasy, Harry Potter, their favourite authors and all sorts of other stuff. It could easily have continued for another hour without anyone noticing.

urban fantasy

Edit: other stuff I forgot to add the first time I posted this. I also attended an excellent reading by Gareth L. Powell, who read from his second Ack Ack Macaque book, and Stephanie Saulter, who read from Gemsigns. Adrian and I visited the art gallery and we were both transfixed by the amazing paintings of Guest of Honour, Anne Sudworth. I’m notoriously picky about art and I know what I like and don’t like. Her landscapes were gorgeous, rich, vibrant and quite remarkable. While an original is out of my price range, a framed print is not and I shall be investing.

Later that evening, whilst everyone was watching Doctor Who in the main hall or were drinking at the bar, a few friends and I snuck off to the secret American style diner for dinner. When we got back we had more drinks and spent time chatting to new and old friends including CE Murphy, Adrian Faulkner, Mike Shevdon and comedian and master magician John Lenahan, who later entertained everyone in the main hall. His act was so funny my sides ached and everyone came away with a smile on their face. After that I spent the rest of the evening chatting with people in the bar and it was a wonderfully relaxing end to my Eastercon weekend. From seeing a few other posts, and from listening to feedback from other people, it seems as if they also had a great event. I’m really looking forward to the next one and also to the next big event on my calendar which is World Fantasy Con in Brighton.

Remakes

In general I’m not a fan of remakes. I understand why they exist, the in-built audience and familiarity with a franchise or character, but my main issue is there are thousands of new ideas out there crying to be developed. Sadly, some amazing ideas will never reach a large audience, because the risk of adapting something that is completely unknown, from a creator no one has heard of before, is too great a  risk for some. Not all, but some.
Sometimes, remakes take the original material and they bring something new to the table. They update it for a modern audience and realise simply reshooting the material with new actors and better special effects isn’t good enough. That’s a point I’ll come back to. Some remakes have really impressed me and despite being initially wary they won me over, such as the new Battlestar Galactica. In my opinion the remake was better than the original 1980s TV show, which I am old enough to remember from the first time around. I always thought it was cheesy, but it was made for that period and the modern version took the original material and did something new. What followed, Caprica, was pretty dull in my opinion, but the new Blood and Chrome web mini thing, looks like a return to form. Shame it didn’t turn into a new TV series.

So, sometimes, remakes do work and are worth pursuing for characters or franchises. Look at the new Christopher Nolan Batman films for example. In my opinion they’re the best of the bunch, and now we have a new Man of Steel, Superman film waiting in the wings. Time will tell if it equals or surpasses the Christopher Reeve films.

All of which brings me around to two remakes I’ve watched in the last month. The Amazing Spider-Man and Total Recall. With ASM it brought Spider-Man back to the screen only a few years after Toby Maguire hung up his costume. Sony made lots of money from the first three films and, regardless of what I think about their varying quality, they were obviously keen to keep milking that old spider shaped cash cow. So ASM came out in 2012 with Andrew Garfield in the blue and red spandex suit. Ok, let’s start with the good. Garfield, for me, was a much better Peter Parker than Maguire. He was gangly, quiet, and a nerdy genius, which is what Peter is supposed to be. At times Garfield’s Peter did seem a little bit too confident at school and more of a skater-boy than a true outsider, but Peter is meant to be an ordinary kid and, in general, I was convinced. Martin Sheen and Sally Field were brilliant, but then they always are in everything. They felt like a real family with secrets and there were some great set pieces, fights and the CGI was good. Now the bad. It was an origin story. Again. Seven year old children are not idiots. They’ve probably been watching Spider-Man for years via cartoons, playing Spider-Man on video games, and (hopefully) reading the comics. So five years later, they’re just old enough to go and see the 12 rated film in 2012. If you ask anyone on the street, who is Spider-Man?, most of them will be able to tell you something. It’s the same with Superman or Batman. They’re international icons. So who, exactly, was this remake for? The best part of the previous Raimi films was that in the credits for the second film, I think, they recapped the whole of the first film, including Spider-Man’s origin. It took maybe five minutes while names roll past, boom, done, on with the action. So why, why, why, do yet another remake?

At times during ASM I found myself doing something else, flicking through my ipad or phone, because it wasn’t holding my attention as I knew what was going to happen. I’d seen it all before and so had the audience. It did well at the box office, but, not as well as the first Raimi Spider-Man film, or the second, or even the third film! There were some interesting new additions to the film this time, minor plot points, but apart from switching Green Goblin for The Lizard, it was more or less the same film. They’ll do another one, and this time, maybe, just maybe, it will be interesting because it’s not yet another origin story.

One other thing on ASM before I move on, and to me it’s a huge thing and is a major spoiler for the film, so look away now if you don’t want to know. The fundamental foundation of Peter Parker and Spider-Man is, with great power comes great responsibility. He had the power to stop the thief and he didn’t, and because of that someone else paid the price. On that occasion it was his Uncle Ben who stood up and said no. Peter makes a promise and is determined to do the right thing. So, at the very end of the new Spider-Man film, Captain Stacy is dying, he knows who Peter really is and what he’s done. He asks Peter to make him a promise to keep his distance from Gwen, because anyone in his orbit is in danger. He’s going to make enemies as Spider-Man and they will try to find his weak points and exploit them. Villain puts girl in peril, hero shows up to save her, they fight, and sometimes the girl dies in the process.

On his deathbed, Stacy makes Peter promise and he agrees. Peter keeps his distance, Gwen is hurt at first, but then works it out and sort of understands. Then, right at the very end of the film, Peter changes his mind. He breaks his promise to her dead father, he breaks his word and decides, ah, sod it, he’s never going to know and I know best, and I want to be with Gwen and he can’t stop me. What a load of bullshit. Utter, utter bullshit. That goes against everything. He may as well just let certain criminals go because he can’t be bothered to catch them. I mean, why not? If making a promise to a dying man means nothing to him, if his word means so little, if he is that bloody selfish, why not? This completely undermined the film for me and it undid all of the goodwill they’d built up. So, in ASM2, Gwen will no doubt get into trouble with the next villain and she may die, and then they can bring on Mary Jane from the wings for the end of ASM2 and she is the love interest for ASM3. Utter crap. I didn’t see ASM at the cinema and won’t be rushing out to see ASM2 either.

Total Recall. Ugh. I admit, the original film isn’t the best film ever and despite the fact that I haven’t read the source material, I’m confident in saying the Arnie film deviates a great deal. However, it was charming, interesting, exciting, different and a great deal of fun. This remake was built on a crap premise to distance it from the whole Mars thing. All of the action was set on grimy Blade Runner-esque Earth in a post apocalyptic world where people take a lift from the British colony to Australia for work. That’s right, they commute, through the centre of the earth on a lift to the other side of the world.

Ignoring that, and putting to one side the updated CGI and special effects, the modern actors who are people I (normally) enjoy watching, I’m struggling to find anything original this film brought to the table. In general the film was just dull and really didn’t hold my interest. This wasn’t a shot for shot remake, but there was nothing we hadn’t seen before. The duplicitous wife, Melina coming to rescue him, the fight to find out who he really is, then rejecting that and deciding to side with the rebels. Fighting for a good cause, and for some reason, destroying the lift that connects the two sides of the planet. It was just really boring. It has been a long time (relatively) since the original Arnie film, and there were some nods in there for older viewers, the women with three breasts, the woman in yellow going on vacation for two weeks at the scanner, and probably some others I didn’t spot as I was doing two other things while watching this at home. It made it’s money back at the box office and some profit on top, so the film makers are not complaining too much, but it wasn’t the runaway juggernaut at the box office they were hoping for by trading on the name.

This, more so than ASM, was an example of where a remake was, for me, completely pointless. If they’d tried to do something new and taken the story in a very different direction, but had held onto the central premise of buying memories for recreation to become a spy, or fighter pilot or whatever, then I might be more enthusiastic. At least, even if it didn’t work, they had tried to do something new and fresh. This was just lazy at its core. I’m off to read something original, novels seem to be the best place for new stories.

Dredd

dreddI absolutely refused to see this film at the cinema when it came out because to begin with it was only available in 3D. In general I’m not a supporter of 3D films. It’s not new technology and in my opinion it’s rarely needed. If the film is relying on 3D to bolster ticket sales, then that’s worrying. Leading with 3D as Dredd did, on all of the posters, was also worrying. I don’t think Dredd needed 3D, I think it was a big enough character, big enough name, big enough world to get by without it. Anyway, after a few weeks, cinemas started releasing it in glorious Two Dee, but only late at night in my local area and not very often. Did this ultimately hurt it at the box office? I think so. Also I believe the 3D was retro-fitted and it was not all shot in 3D, so that was an extra cost that the film didn’t need. After the last Dredd film with Stallone, which I’ll come back to later, people old enough to remember it were wary. 2000AD fans were extremely nervous and some members of Joe Q Public might have gone to see something else instead of paying an extra couple of pounds to see what, in their minds, was yet another comic book film. At the moment the new Dredd has made 35 million at the box office worldwide on a 50m budget. My opinion aside, something didn’t work as well as it should.

Before watching this film I read a fair bit about it, had watched a couple of trailers and was very excited. I was also very pleased to hear Karl Urban, the NZ hunk, last seen by me in Star Trek as Bones, say he would not be taking off the helmet. It was one of many gripes about the Stallone film. We’re not supposed to know what Dredd looks like. He’s faceless and it’s his will and unrelenting appetite for justice and his name that inspires fear. To me he’s a more extreme version of Batman in a dystopian future where killing criminals is something he does on a daily basis and doesn’t feel any regret. So, having done my homework and knowing a reasonable amount about the character and the world, I sat down last night to watch.

Overall I was pretty impressed by the film. I thought it was engaging, exciting and I came away wanting more. Urban was excellent as Dredd. He was grim, had a great chin and scowl, his voice was rough without it being Batman rough, and his depiction of Dredd’s unbreakable faith in justice and law and order was great. I’ve never seen Olivia Thirlby in anything before but I thought she did a really good job as the rookie Anderson. She was tough, but she also brought a naive and slightly child-like quality to her performance as someone on the cusp of fully embracing the law and all that comes with it. Such as carrying out lethal judgments on people on the spot. While Dredd may never hesitate, she shows how much he has already lost because she was emotional and she cared, even about those who were trying to wipe her out moments earlier. Bit of a spoiler, but there was also a moment where Anderson scans Dredd with her telepathic powers and she picks up on his emotional state, someone full of rage, and she hints at something else under the surface. I’d kind of like to know what it was, but I also think you’re not supposed to know. It’s like finding out what he looks like under the helmet. Sometimes you don’t need to know every little detail about a character.

On reflection I can see why this film didn’t deliver a record weekend at the box office and make everyone go back a second time. To me it felt very much like ‘A Day in the Life of Judge Dredd’. It was just another day, just another crime. At the start of the film the rookie picks a target and they go out and take care of it. That’s it. She could just have easily picked a different one and the film would have been a bit different, but not hugely. Given the post apocalyptic world, given the futuristic setting, given the larger than life character, I think people were expecting a story on a grander scale, more like a Prometheus or a Star Wars.

The story was enjoyable, but it was everyday for Dredd. It wasn’t one tiny crime that was actually part of a much larger conspiracy which he investigated and that led into a plot to destroy the whole of Megacity One. It was a story about a drug dealer trying to flood the city with her product, protect her home and industry by getting rid of two nosey but determined Judges. For all that was wrong with the Stallone Dredd film, and there was a lot which I won’t detail, the core of the story was much bigger. The elimination of naturally born judges and birth of a new race of genetically created and severely unbalanced Judges all based on the DNA of Rico, who wanted to change the whole of Megacity.

There were explosions and lots of gunplay in both films, and mercifully the light touches of humour were black in Dredd 3D and there was no comedy sidekick this time, but the scale of the threat was pretty small. What epitomised it for me is when Anderson looks out across the city and we can see several other Megablocks with their own names in neon down the sides and you realise this is just one story, in one Megablock, in a giant city that stretches from Boston to Washington DC.

I know several other people have compared Dredd to The Raid, and have said the latter is a better film. I’ve not seen it so can’t compare, but part of me thinks they shouldn’t be comparable movies. As I said, I did enjoy Dredd, but it felt like a very small story in a giant setting. It’s like getting out a massive piece of paper and then only drawing in one of the corners. I know what comic book fans and experts on all things 2000AD might say, but the film is something divorced from the comic. It should true to the heart of the source but it should also be different and epic. Yes, you absolutely can have small and personal films on the big screen, but they don’t feature a big bloke in a helmet with a giant gun on the poster. Dredd at the cinema should be a grander story, told on a grander scale. I would love to see another Dredd film more along those lines, but unless Dredd does really well on DVD and blu-ray, I don’t think we’ll see another one for at least another17 years or so. Overall definitely worth seeing, and it’s a great action film, but I would suggest you go with the right expectations and then you won’t be disappointed.

YA Comic Books

This idea has been somewhere in the back of my mind for a while, but it came together last week when Marvel Comics announced that they are launching a series of YA novels, based on their superhero characters. The first two announced are She-Hulk and Rogue, written by Marta Acosta and Christine Woodward and they will be published by Hyperion. I’m going to be stay optimistic. I’m going to say I’m excited by these and I hope they do very well. And I’m not being disingenuous. I want young people, those under 25, especially those under 20, to be interested in comic book characters, whether that’s from Marvel, DC or other publishers.

Superhero comics dominate the US comic book market, but in other countries superheroes are not the main focus. Despite the diversity that now exists in the US market, the majority of the top 100 comics every month are superhero titles. There are exceptions (Walking Dead, Saga etc) but mostly it’s superheroes.

In the last 2 years both Marvel and DC have had one of their biggest reboots and relaunches in a long time. Not just a bit of a tweak, but an almost (almost!) wipe the slate clean and start from issue 1 across the board at DC. Marvel took a right turn and all titles are gradually relaunching with new creators and very new directions. All of which has been great for me, as a lifelong comic book fan. Sales are good in general, but my gut tells me that the percentage of brand new comic book fans, coming into Marvel or DC for the first time because of these initiatives, is very small. My gut also tells me that not many of those were women.

DC and Marvel are always actively seeking new writers and they do mentor new writers. They pair them up with an established creator who helps them learn the ropes. We’ve seen this time and again at Marvel and now some of their most interesting and unique writers were once being mentored. Jonathan Hickman and Matt Fraction are two names that immediately spring to mind. DC are also doing it as well, and people like James Tynon IV first partnered with Scott Synder before writing solo books. It’s a tried and tested method.

Both companies also bring in writers from other mediums, TV, film and novelists. Sometimes it works out very well and we get writers like Duane Swierczynski and Allan Heinberg, both of who have done some very memorable work for Marvel and DC. Sometimes it doesn’t work and we get Jodi Piucoult. I am sure she is a lovely person and I know her novels sell very well, but her run on Wonder Woman was very short and she’s not been invited back. Her view of the character did not gel with the audience, sales were poor, and they tried a different approach with a new creative team.

I’m very aware that women read comics and superhero comics, but I think there are more men reading them than women. I also think it’s fairly safe to say that the percentage of new and young readers coming into the books is fairly small. I’m also pretty sure that if you took the average age of a mainstream comic book fan, it would be twenty or thirty something, if not older.

Here’s a wacky idea to get more new readers and more women reading comics. Perhaps, in addition to the YA books, Marvel and DC should hire some YA authors to write their teen comic books. As I mentioned above, it doesn’t always work out and if the person is not a fan of comics to begin with, or is not at least familiar with the medium, then the chances of success are fairly small. But I know of several YA authors, most of them women, who are massive comic book fans and I know they would love to write comics. Can and do some of them write their own independent comics? Yes. But getting noticed and getting the word out about one of those comics is a lot more difficult. Also, both of the big companies have some very well known brands and icons that are immediately recogniseable. It’s a lot easier to convince someone to take a chance and spend their money on a new Supergirl comic than something they’ve never heard of before.

I’m sure most, if not all of the YA writers, would need to be mentored first, and during that co-writing phase both the lead writer and the company would find out if it was working or not. But imagined if it worked. A Teen Titans book, written for a YA audience. Now this isn’t me dumping on any of the teen focused books that have gone before, because I have read and enjoyed some of them. But DC in particular made an effort to put some of their comics into sections. Here are the Dark books (Vertigo-esque) grouped into The Edge, here are the Teen books, here are the Batman books etc. So with the relaunch I’m not the target audience for Teen Titans.

In theory, it would also mean that if more younger readers jumped on board with the teen books and assuming they keep reading for several years, they would eventually progress to the mainstream titles. It would also mean more women reading comics, more female role models working in the industry, and hopefully more women who become mainstream comic book writers. The number of women writing at both companies, who are working on major icons, is tiny.

I’m not privy to what is going on behind closed doors at the Big 2, and I’m sure those who are may instantly reject my idea for a number of reasons, or perhaps if I am being optimistic, these sort of talks are already taking place. From an outsiders viewpoint, it seems like a sensible and logical idea to me. It ties together some of what they are already doing and it would tackle one of the biggest problems in mainstream comics. It wouldn’t solve everything but it would be a step in the right direction.

One Man Army

When I was growing up it seemed to me that there weren’t that many interesting books to read. Looking back, I know I was wrong. Obviously. However, at the time, I read fairly   the fantasy genre and I went through pretty much everything I could find. Now I now read across several genres and non-fiction too, but if I just read fantasy novels there is no way I could keep up with the number being published. For starters I’m not a fast reader and although I love fantasy books and love reading, I do want to do other things with my spare time. So, now more than ever, whether it’s novels or comics or TV, it’s important to find your voice and stand out from the crowd.

Last week I read this tumblr article by comic book writer Gail Simone about brutal tips on breaking into the comics industry. It contains a lot of hard lessons, and some might whinge and say she’s just being mean, or she wants to discourage people from even trying. Yes, you have to be utterly realistic, but to be honest, if mean words and a harsh dose of the truth puts you off then maybe you should try something else. Or maybe you’re just not hungry enough. The most thought provoking part for me was her Step Three: Find Your Voice, Dammit. What do you bring to the table? What is unique about you and your view of the world? It’s something I’ll come back to in another post at some point.

For the longest time my parents have known I’ve wanted to be a writer, but even from a young age my dad impressed upon me the importance of a good education and good skills to get a good job. Writing was the passion, the dream, but it wouldn’t pay the bills and I had to be realistic. It didn’t kill my dreams, but it kept my feet firmly on the ground. I have those business skills now, and a good job and nice home, and although the road to get here has been a lot bumpier than I ever anticipated, my head is now in a good place and I can spend more time contemplating the creative. But, as Gail Simone mentioned, you need to be a sales person, so once again, and now it’s happening more times than I can count, I’m using my business and marketing skills as part of my creative endeavours. It’s something I honestly never thought would be needed. The article mentions being a good sales person, and you really need to be. You need to be able to talk convincingly and with passion about your work, about what it means to you, and what it is all about. See a previous post (Ok, but what is it about?) for more info on that!

As well as being a positive sales person you also need to be quite outgoing and approachable, because no one wants to work with or be associated with an arsehole. Ever. Find the worst or most obnoxious person on the train, or in your office, or on the street, and imagine that person wrote a book, comic or TV show you really loved. Now try and read it again with the same passion. I’m not saying you have to become someone else, but a friend of mine, Barry Nugent, is actually quite a shy guy, but in public you would never know it. He’s been podcasting longer than me, he’s written novels, hosted panels at events, and now he is running his own comics empire. He’s grown a thicker skin and the nerves that previously required liquid lubrication before being in public have faded. He’s a professional and he gets it done.

Whether you’re an author, comic book writer or any other type of creative person, you need to be able to navigate the online channels, be tech-savvy enough to know the difference between Facebook and Twitter, attend industry relevant events, get yourself interviewed, post articles on a blog or website, and basically create as much noise as possible about your work. Because although there are people that will help, and many more that work behind the scenes that most people don’t know about, you will have to do a lot of it for yourself. The work doesn’t stop when the novel, comic, or TV show is written. You need to make a splash, you need to stand out, you need to make your voice heard. There are exceptions to the rule, very successful authors, celebs and comic book writers even that never go near social media, don’t have a blog or a website. Good for them I say. But they’re pretty uncommon. For the rest of us, it’s necessary and very important. I saw some grumbling last week about people self promoting. Of course you have to do it and you should be. End of story.

If you’ve built up any kind of online following then those people are there for a reason. They like something about you and not telling them about your work is shooting yourself in the foot. Equally if you only fill your social media streams with self promotion posts and nothing else, then that is also shooting yourself in the foot.

In today’s crowded world, where there are more distractions than ever before across a multitude of different media, a creative person needs to be seen and heard, and you must be both business minded and bursting with imagination.